Tracey Anarella

The film examines the "who" and "why" of women and girls in beauty pageants, emphasizing the #MeToo era. It examines the good (pageants for the disabled), the bad (exploitive pageants), and the really ugly (child pageants).

A deep look at the class warfare and the contradictions that African-Americans face within their own community when many of them are ostracized because they are “not black enough.” An analysis of the reasons behind these absurd acts of hatred.

George, and her best friends Kai and Renka, confront their aimless existence through a single act of violence when they murder a woman during a break-in.

The film examines the "who" and "why" of women and girls in beauty pageants, emphasizing the #MeToo era. It examines the good (pageants for the disabled), the bad (exploitive pageants), and the really ugly (child pageants).

A deep look at the class warfare and the contradictions that African-Americans face within their own community when many of them are ostracized because they are “not black enough.” An analysis of the reasons behind these absurd acts of hatred.

A deep look at the class warfare and the contradictions that African-Americans face within their own community when many of them are ostracized because they are “not black enough.” An analysis of the reasons behind these absurd acts of hatred.

A deep look at the class warfare and the contradictions that African-Americans face within their own community when many of them are ostracized because they are “not black enough.” An analysis of the reasons behind these absurd acts of hatred.