Rudolf van den Berg

Young and talented Han van Meegeren is a rebel in the early 1920's Amsterdam art-scene. Because he paints in the style of his idols Rembrandt and Vermeer, critics find his work old-fashioned and they call him a copycat. Just to prove a point, he produces a fake Vermeer and tries to pass it off as a real one. It works. Instead of revealing the truth and thereby embarrassing the art world, he continues to make money off of his many forgeries. Soon he is caught in a web of lies and deceit, and his life spins out of control. Then one day, high ranking Nazi Hermann Göring knocks on his door, looking for a Vermeer for his private collection...

A troubled detective befriends a single woman and her daughter with the intention of using them as bait for a serial killer.

Jörgen's world is crumbling. Forced into early retirement and harassed by his ex-wife, the only part of his life which makes sense - his beloved daughter Tirza - is shattered when she disappears on holiday in Namibia. After weeks of terrifying uncertainty, Jörgen goes searching for her, but the heat, his drinking and bad memories combine to unhinge him. His only ally is a child prostitute called Kaisa. Together they journey into the wilderness on Tirza's trail to discover her fate.

In Nazi-occupied Amsterdam, Walter Süskind is a member of the Dutch Jewish Council who rescues hundreds of children from the concentration camps.

An aging hippy and a beautiful young woman meet in Amsterdam and find love.

This controversial documentary describes Van den Berg's quest for the Jewish identity. First, he organizes a dinner party where some Jewish Dutchmen enter into a discussion; next, he pays a visit to Israel. After a couple of days there he starts asking himself questions, not so much about Israel's right to exist but about the principles the state is based on. In his own words: "One of the essential aspects of the film is the questioning of the notion of Judaism. Being a Jew is something existentialist, but if you try to define it you fail.(...) There is no fitting definition, yet there is something like a Jew. I don't think that if you call yourself - as a state - democratic you should adopt that as a standard for your whole social system. That's what is happening in Israel." The quintessence of the film is that Van den Berg has made an unambiguous attempt to make clear that a Jew is not by definition a Zionist.

Young and talented Han van Meegeren is a rebel in the early 1920's Amsterdam art-scene. Because he paints in the style of his idols Rembrandt and Vermeer, critics find his work old-fashioned and they call him a copycat. Just to prove a point, he produces a fake Vermeer and tries to pass it off as a real one. It works. Instead of revealing the truth and thereby embarrassing the art world, he continues to make money off of his many forgeries. Soon he is caught in a web of lies and deceit, and his life spins out of control. Then one day, high ranking Nazi Hermann Göring knocks on his door, looking for a Vermeer for his private collection...

A troubled detective befriends a single woman and her daughter with the intention of using them as bait for a serial killer.

Jörgen's world is crumbling. Forced into early retirement and harassed by his ex-wife, the only part of his life which makes sense - his beloved daughter Tirza - is shattered when she disappears on holiday in Namibia. After weeks of terrifying uncertainty, Jörgen goes searching for her, but the heat, his drinking and bad memories combine to unhinge him. His only ally is a child prostitute called Kaisa. Together they journey into the wilderness on Tirza's trail to discover her fate.

Jörgen's world is crumbling. Forced into early retirement and harassed by his ex-wife, the only part of his life which makes sense - his beloved daughter Tirza - is shattered when she disappears on holiday in Namibia. After weeks of terrifying uncertainty, Jörgen goes searching for her, but the heat, his drinking and bad memories combine to unhinge him. His only ally is a child prostitute called Kaisa. Together they journey into the wilderness on Tirza's trail to discover her fate.

In Nazi-occupied Amsterdam, Walter Süskind is a member of the Dutch Jewish Council who rescues hundreds of children from the concentration camps.

In Nazi-occupied Amsterdam, Walter Süskind is a member of the Dutch Jewish Council who rescues hundreds of children from the concentration camps.

An aging hippy and a beautiful young woman meet in Amsterdam and find love.

An aging hippy and a beautiful young woman meet in Amsterdam and find love.

This controversial documentary describes Van den Berg's quest for the Jewish identity. First, he organizes a dinner party where some Jewish Dutchmen enter into a discussion; next, he pays a visit to Israel. After a couple of days there he starts asking himself questions, not so much about Israel's right to exist but about the principles the state is based on. In his own words: "One of the essential aspects of the film is the questioning of the notion of Judaism. Being a Jew is something existentialist, but if you try to define it you fail.(...) There is no fitting definition, yet there is something like a Jew. I don't think that if you call yourself - as a state - democratic you should adopt that as a standard for your whole social system. That's what is happening in Israel." The quintessence of the film is that Van den Berg has made an unambiguous attempt to make clear that a Jew is not by definition a Zionist.

According to an ancient Indian tale a giant monster embryo residing in a crystal vase is predetermined to fertilize a blue-eyed woman. She will give birth to something evil to unleash horror and destruction upon human kind. Ugly septuplet brothers reproduced within the framework of mysterious genetic experiments terrorize a young innocent girl who seems to be chosen for the sinister predestination.

In 1656 Amsterdam, young Jewish philosopher Bento de Spinoza watches his world collapse when his closest friend is executed for printing forbidden ideas. The city is gripped by plague, fear, and religious zeal, and Bento's growing habit of questioning sacred truths makes him a danger to both Church and synagogue. Amid this turmoil, he meets Rembrandt van Rijn, the once-celebrated painter now sliding into debt and disgrace.

A young Austrian comedian struggles with the nightmare of his past and a dead sister who refuses to die by laying claim to his soul.

A young Austrian comedian struggles with the nightmare of his past and a dead sister who refuses to die by laying claim to his soul.

After his wife Marjan has died in a car crash, Philip de Wit becomes a total wreck. Only after months does he return to a more or less normal life and even then he only works in his wife's bookstore. A year later Eileen walks in the store, a girl from Northern Ireland with her baby in her arms. When Philip sees her, he's dumbfounded, for she's the spitting image of his dead wife. Obsessed with her, he goes and tries to find her again, but he soon finds out that he's not the only one who's looking for Eileen.

After his wife Marjan has died in a car crash, Philip de Wit becomes a total wreck. Only after months does he return to a more or less normal life and even then he only works in his wife's bookstore. A year later Eileen walks in the store, a girl from Northern Ireland with her baby in her arms. When Philip sees her, he's dumbfounded, for she's the spitting image of his dead wife. Obsessed with her, he goes and tries to find her again, but he soon finds out that he's not the only one who's looking for Eileen.

Frits Egters can't quite get a hold of himself. An intelligent and sensitive young man, repulsion and desillusion turned him cynical. According to Frits there should be more to life - he just doesn't know where to find it.

Frits Egters can't quite get a hold of himself. An intelligent and sensitive young man, repulsion and desillusion turned him cynical. According to Frits there should be more to life - he just doesn't know where to find it.

Stranger at home (1985) is a documentary about the return to Jerusalem of a friend of Van den Berg, the Palestinian artist Kamal Boullata, who had not seen his home country for a very long time. The friends, making the trip together, find themselves more and more involved in a painful confrontation: Jew versus Palestinian.

Stranger at home (1985) is a documentary about the return to Jerusalem of a friend of Van den Berg, the Palestinian artist Kamal Boullata, who had not seen his home country for a very long time. The friends, making the trip together, find themselves more and more involved in a painful confrontation: Jew versus Palestinian.

Born in Amsterdam in 1943, Paul, a Jewish man, attempts to locate his twin brother (or perhaps his alter ego), who was abducted forty years ago and sent to a Nazi concentration camp. As he searches, he becomes increasingly immersed in the story of his life, as well as in an analysis of post-war Jewish identity.

Born in Amsterdam in 1943, Paul, a Jewish man, attempts to locate his twin brother (or perhaps his alter ego), who was abducted forty years ago and sent to a Nazi concentration camp. As he searches, he becomes increasingly immersed in the story of his life, as well as in an analysis of post-war Jewish identity.