Mon Ross

The trial of the highest Nazi leaders in Nuremberg at the end of World War II was not enough to annihilate totalitarian ideologies and their mechanisms of destruction. From Latin America to Cambodia, from the former Yugoslavia to Rwanda, the crimes against humanity and genocides committed in the last seventy years are a reason for the judiciary and civil society to fight impunity and prevent further tragedies.

Feliciano Centurión: abrazo íntimo/al natural explores the life of Feliciano Centurión, a Paraguayan artist who developed his career in Buenos Aires during the 1980s and 1990s. The film serves as an affective exercise with valuable archival material, as Feliciano, his work and his time are revisited through the memories of his Paraguayan and Argentine friends.

The trial of the highest Nazi leaders in Nuremberg at the end of World War II was not enough to annihilate totalitarian ideologies and their mechanisms of destruction. From Latin America to Cambodia, from the former Yugoslavia to Rwanda, the crimes against humanity and genocides committed in the last seventy years are a reason for the judiciary and civil society to fight impunity and prevent further tragedies.

Feliciano Centurión: abrazo íntimo/al natural explores the life of Feliciano Centurión, a Paraguayan artist who developed his career in Buenos Aires during the 1980s and 1990s. The film serves as an affective exercise with valuable archival material, as Feliciano, his work and his time are revisited through the memories of his Paraguayan and Argentine friends.