Keith Griffiths

Maniac Mansion was a Canadian sitcom created by Eugene Levy, which aired concurrently on YTV in Canada and The Family Channel in the United States for three seasons from September 17, 1990 to April 4, 1993. The series is very loosely based on the popular 1987 LucasArts video game of the same name. While LucasFilm served as co-producers on the series, the show thematically shares little in common with its source material. The series followed the adventures of the Edison family, who lived in a large mansion in an upper-class suburban neighborhood. Fred, the father of the family, was an eccentric scientist, and many of the plots revolved around his wacky experiments. One of these experiments caused his toddler son, Turner, to transform into a large adult man and his brother-in-law, Harry, to be turned into a fly with a human head! They both remained this way for the entire run of the series.

Suffering from a kidney disease and sure of his death, Uncle Boonmee assembles his relatives in the countryside. He reminisces about his past lives and plans to visit a place before dying.

When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a piece of root in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real.

After hearing a loud 'bang' at daybreak, a Scottish woman begins experiencing a mysterious sensory syndrome while traversing the jungles of Colombia.

Jakob arrives at the Institute Benjamenta (run by brother and sister Johannes and Lisa Benjamenta) to learn to become a servant. With seven other men, he studies under Lisa: absurd lessons of movement, drawing circles, and servility. He asks for a better room. No other students arrive and none leave for employment. Johannes is unhappy, imperious, and detached from the school's operation. Lisa is beautiful, at first tightly controlled, then on the verge of breakdown. There's a whiff of incest. Jakob is drawn to Lisa, and perhaps she to him. As winter sets in, she becomes catatonic. Things get worse; Johannes notes that all this has happened since Jakob came. Is there any cause and effect?

Dark fairytale about a demonic doctor who abducts a beautiful opera singer with designs on transforming her into a mechanical nightingale.

Maniac Mansion was a Canadian sitcom created by Eugene Levy, which aired concurrently on YTV in Canada and The Family Channel in the United States for three seasons from September 17, 1990 to April 4, 1993. The series is very loosely based on the popular 1987 LucasArts video game of the same name. While LucasFilm served as co-producers on the series, the show thematically shares little in common with its source material. The series followed the adventures of the Edison family, who lived in a large mansion in an upper-class suburban neighborhood. Fred, the father of the family, was an eccentric scientist, and many of the plots revolved around his wacky experiments. One of these experiments caused his toddler son, Turner, to transform into a large adult man and his brother-in-law, Harry, to be turned into a fly with a human head! They both remained this way for the entire run of the series.

Suffering from a kidney disease and sure of his death, Uncle Boonmee assembles his relatives in the countryside. He reminisces about his past lives and plans to visit a place before dying.

When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a piece of root in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real.

After hearing a loud 'bang' at daybreak, a Scottish woman begins experiencing a mysterious sensory syndrome while traversing the jungles of Colombia.

Jakob arrives at the Institute Benjamenta (run by brother and sister Johannes and Lisa Benjamenta) to learn to become a servant. With seven other men, he studies under Lisa: absurd lessons of movement, drawing circles, and servility. He asks for a better room. No other students arrive and none leave for employment. Johannes is unhappy, imperious, and detached from the school's operation. Lisa is beautiful, at first tightly controlled, then on the verge of breakdown. There's a whiff of incest. Jakob is drawn to Lisa, and perhaps she to him. As winter sets in, she becomes catatonic. Things get worse; Johannes notes that all this has happened since Jakob came. Is there any cause and effect?

Dark fairytale about a demonic doctor who abducts a beautiful opera singer with designs on transforming her into a mechanical nightingale.

Thriller about the murder of a prostitute. Centred round the lives and life styles of two brothers at the time of the murder. As the film progresses and the events of the murder night unfold, it emerges that both brothers - perhaps all men - are suspect.

In the 1970s, a British sound technician is brought to Italy to work on the sound effects for a gruesome horror film. His nightmarish task slowly takes over his psyche, driving him to confront his own past.

In a hospital, ten soldiers are being treated for a mysterious sleeping sickness. In a story in which dreams can be experienced by others, and in which goddesses can sit casually with mortals, a nurse learns the reason why the patients will never be cured, and forms a telepathic bond with one of them.

Afraid of losing his wife, Horatio creates a replica he calls Hortensia. But things don't go as planned... Shot on 35mm and propelled by an impressive score by Michèle Bokanowski, the Quay Brothers evoke an intense drama of jealousy, betrayal and murder, revolving around a window dresser's obsession for a life-sized doll.

Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.

Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.

Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.

A London radio DJ receives news of his brother's suicide and travels west to Bristol to find out more.

An unusual documentary from the Brothers Quay and Keith Griffiths about the history of the Punch and Judy puppet show.

An unusual documentary from the Brothers Quay and Keith Griffiths about the history of the Punch and Judy puppet show.

An unusual documentary from the Brothers Quay and Keith Griffiths about the history of the Punch and Judy puppet show.

A puppet, newly released from his strings, explores the sinister room in which he finds himself.

Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conceptual and image making process of the cinema.

Magic Lantern: Michael Frayn's Prague

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

Film critic Tony Rayns interviews Lino Brocka and other prominent Filipino filmmakers.

A pilot for a never made feature length film, about a dying movie director.

A short film exploring the imagery of medical and scientific experimentation.

A display at the strange and wonderful artifacts in a collection of medical curiosities.

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.

Orhan Pamuk – Turkey’s Nobel laureate for Literature – opens a museum in Istanbul. A museum that’s a fiction: its objects trace a tale of doomed love in '70s Istanbul. The film takes a tour of the objects as the starting point for a trip through images, landscapes and the chemistry of the city. A film about Istanbul, love, memory and loss.

History of filmmaking in China from its beginnings in the 1920s to 1982, featuring Shanghai cinema of 1930s; the progressive filmmakers; the organisation of filmmaking under the post-war communist government; the impact of the Cultural Revolution; the work of Xie Jin.

Chad, 2006. After a forty-year civil war, the radio announces the government has just amnestied the war criminals. Outraged by the news, Gumar Abatcha orders his grandson Atim, a sixteen-year-old youth, to trace the man who killed his father and to execute him. Atim obeys him and, armed with his father's own gun, he goes in search of Nassara, the man who made him an orphan. It does not take long before he finds him. Nassara, who now goes straight, is married, goes to the mosque and owns a small bakery. After some hesitation Atim offers him his services as an apprentice. He is hired then it will be easy for him to gun down the murderer of his father. At least, that is what he thinks...

Documentary on Andy Warhol's cinema of the sixties, made for Channel 4 in association with The Factory, MOMA and the Whitney Museum of Art and in collaboration with Simon Field.

A magnet moves on a floor. A moth beats against a window. A doll child watches the magnet; threads of metal filings gather around the magnet.

This documentary, made seven years after the death of legendary filmmaker and kinetic artist Len Lye, tells Lye's story: from being a young boy staring at the sun, to travels around the Pacific and life in New York. It includes excerpts from many of his films, and interviews with second wife Ann and biographer Roger Horrocks. Len Lye himself is often heard, outlining his ideas of the ‘old brain’ and how Māori and Aboriginal art influenced his work. The grandeur of his ideas are only matched by their scale, with steel sculptures designed to be "at least 20 foot high".

This documentary, made seven years after the death of legendary filmmaker and kinetic artist Len Lye, tells Lye's story: from being a young boy staring at the sun, to travels around the Pacific and life in New York. It includes excerpts from many of his films, and interviews with second wife Ann and biographer Roger Horrocks. Len Lye himself is often heard, outlining his ideas of the ‘old brain’ and how Māori and Aboriginal art influenced his work. The grandeur of his ideas are only matched by their scale, with steel sculptures designed to be "at least 20 foot high".

Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.

Interview and profile of experimental filmmaker Michael Snow from 1983. Includes extracts from 'Back and Forth', 'Wavelength', 'La Region Central', 'So Is This' and gallery piece 'Two Sides To Every Story'. Made for Channel 4 'Visions' and broadcast 19 January 1983.

A 1983 film for Channel Four’s Visions, featuring interviews about the impact of Godard of British filmmakers and critics.

A 1983 film for Channel Four’s Visions, featuring interviews about the impact of Godard of British filmmakers and critics.

Using the tricks of the Flemish playwright's own trade--puppetry, masks, and a Breughelesque sense of bizarre carnival, the collaborators succeeded in bringing about a rich and sardonic humor lurking at the edge of the playwright's macabre, death-obsessed imagination in an allusive homage.

Using the tricks of the Flemish playwright's own trade--puppetry, masks, and a Breughelesque sense of bizarre carnival, the collaborators succeeded in bringing about a rich and sardonic humor lurking at the edge of the playwright's macabre, death-obsessed imagination in an allusive homage.

Near an extraordinary chair with many legs, a hand is visible gripping an edge. The hand is weathered, the fingers cracked and scarred. The end of a rifle appears and a shot fires. The bullet is visible whirling through space; it caroms and then goes through a pine cone. A long spoon emerges from a drawer in the chair and stretches toward the hand. The bullet is on the spoon. Later, the hand holds the bullet between two fingers; another shot is fired.