Henrik Gyllenskiöld

It is New Year's Eve, 1959, and night shift at the telegraph station in Trångsele. The characters long for something missing in their lives and share that in common.

Schoolmaster Hoffmann on his way far down in the basement to the Janitors office to get coal for his chilly classroom, hears no warning signals. Gorm, the janitor, manipulates the gullible Hoffmann into signing a contract with a dark context.

A man plays table tennis with a robot. During the course of the game the robot increasingly take on human mannerisms and becomes competitive. Soon, they both realize the game is no longer about winning.

Stig is a man in his forties. Probably middle-class, works full-time, gets a decent paycheck and drives a nice new car from a well-known Japanese brand. He is married and dresses well without being a snob. He is a normal Swedish man who performs what most people would consider totally irrational actions. Why?

It is New Year's Eve, 1959, and night shift at the telegraph station in Trångsele. The characters long for something missing in their lives and share that in common.

Schoolmaster Hoffmann on his way far down in the basement to the Janitors office to get coal for his chilly classroom, hears no warning signals. Gorm, the janitor, manipulates the gullible Hoffmann into signing a contract with a dark context.

A man plays table tennis with a robot. During the course of the game the robot increasingly take on human mannerisms and becomes competitive. Soon, they both realize the game is no longer about winning.

Stig is a man in his forties. Probably middle-class, works full-time, gets a decent paycheck and drives a nice new car from a well-known Japanese brand. He is married and dresses well without being a snob. He is a normal Swedish man who performs what most people would consider totally irrational actions. Why?