Vanessa Del Campo Gatell

A memory exercise, a crystalized moment in time that captures poetic and existential quotidian gestures. A journey into a world of estrangement in which nothing is what it seems, yet it gives way to the vision of a better future after the storm. A work that begins with a sequence of correspondences in the distance to gradually become an essay that reflects on the perception of time, confinement, the impact of man on nature and the very act of filmmaking.

A memory exercise, a crystalized moment in time that captures poetic and existential quotidian gestures. A journey into a world of estrangement in which nothing is what it seems, yet it gives way to the vision of a better future after the storm. A work that begins with a sequence of correspondences in the distance to gradually become an essay that reflects on the perception of time, confinement, the impact of man on nature and the very act of filmmaking.

Astronauts set foot on the red earth of the Oman desert before the unbelieving eyes of the Bedouin. Two high school girls build castles in the air. A young boy trains to jump as far as possible. And each character seems to wonder what their place in the universe is. Skilfully weaving together the links between nomadism, exploration, colonisation and desire for freedom—a surprising film about human ingenuity.

Astronauts set foot on the red earth of the Oman desert before the unbelieving eyes of the Bedouin. Two high school girls build castles in the air. A young boy trains to jump as far as possible. And each character seems to wonder what their place in the universe is. Skilfully weaving together the links between nomadism, exploration, colonisation and desire for freedom—a surprising film about human ingenuity.