Annalise Lockhart

Set in the year 2043, Mirasol lives a monotonous and lonely existence on a secluded farm. One day out gardening, a discovery opens the door to imagining a future where life returns.

Is horror a man’s world? You might assume so – but you won’t be thinking that way for long once you investigate the vast contribution women have made to horror movies for well over a century. In 2020, award-winning Australian critic Alexandra Heller-Nicholas released the definitive book on the subject: 1000 Women in Horror, 1895–2018, an encyclopaedic work celebrating the many women – filmmakers, actors, producers and technicians – who have shaped the genre since the moment cinema’s light first flickered.

A beautiful actress struggles to connect with her disfigured co-star on the set of a European auteur's English-language debut.

Missed connection regret at that one late-night spot—the kind you keep playing back in your head but not quite ever remembering right, until it starts to look like something else.

A Black family in rural Vermont attempts to live a life of solitude and cope with the ghosts living on their property.

Secondary maps two different narratives onto each other, using movement as the formal through-line. The first describes the complex overlay of violence and spectacle inherent in American football, and more broadly within American culture. Barney’s personal involvement in the sport served as a starting point for the development of this project. The extreme physical and psychological conditions of the game have been abstracted in Barney’s art practice since his earliest work, and now provide a context for this subject that is both retrospective and a new, direct engagement.

Set in the year 2043, Mirasol lives a monotonous and lonely existence on a secluded farm. One day out gardening, a discovery opens the door to imagining a future where life returns.

Set in the year 2043, Mirasol lives a monotonous and lonely existence on a secluded farm. One day out gardening, a discovery opens the door to imagining a future where life returns.

Missed connection regret at that one late-night spot—the kind you keep playing back in your head but not quite ever remembering right, until it starts to look like something else.

A Black family in rural Vermont attempts to live a life of solitude and cope with the ghosts living on their property.

A Black family in rural Vermont attempts to live a life of solitude and cope with the ghosts living on their property.

A Black family in rural Vermont attempts to live a life of solitude and cope with the ghosts living on their property.

Secondary maps two different narratives onto each other, using movement as the formal through-line. The first describes the complex overlay of violence and spectacle inherent in American football, and more broadly within American culture. Barney’s personal involvement in the sport served as a starting point for the development of this project. The extreme physical and psychological conditions of the game have been abstracted in Barney’s art practice since his earliest work, and now provide a context for this subject that is both retrospective and a new, direct engagement.