Aurelio Buchwalder

We enter the film, like we access Gorgona, by the sea. A rock bristling with greenery, surrounded by the dark blue waves of the Mediterranean. On this small island between Tuscany and Corsica, there is an agricultural penal colony. The prisoners held there are free to move around, working the vines, the small pig farm or the vegetable garden surrounding the prison buildings. Here, the relationship to nature is particular and undoubtedly redeeming.

We enter the film, like we access Gorgona, by the sea. A rock bristling with greenery, surrounded by the dark blue waves of the Mediterranean. On this small island between Tuscany and Corsica, there is an agricultural penal colony. The prisoners held there are free to move around, working the vines, the small pig farm or the vegetable garden surrounding the prison buildings. Here, the relationship to nature is particular and undoubtedly redeeming.

We enter the film, like we access Gorgona, by the sea. A rock bristling with greenery, surrounded by the dark blue waves of the Mediterranean. On this small island between Tuscany and Corsica, there is an agricultural penal colony. The prisoners held there are free to move around, working the vines, the small pig farm or the vegetable garden surrounding the prison buildings. Here, the relationship to nature is particular and undoubtedly redeeming.