Shinkichi Noda

A passionate telling of the story of Sada Abe, a woman whose affair with her master led to an obsessive and ultimately destructive sexual relationship.

A mysterious video has been linked to a number of deaths, and when an inquisitive journalist finds the tape and views it herself, she sets in motion a chain of events that puts her own life in danger.

A documentary depicting the the impoverished fishing village in Honshu's northernmost region as they struggle in the face of modernization.

This film takes us into the microscopic world of the plankton that mass in the oceans. Their bodies ultimately turn to marine snow and accumulate on the ocean floor where, across vast time spans, they transform into crude oil.

Nippon Rayon has produced clothing of assorted colors, designs, and materials. Their nylon products are not limited to fashion but extend to all aspects of life. The film features shots of models wearing vibrant outfits as well as products being manufactured on the factory floor.

A documentary focusing on the things and animals necessary for the Olympics in Tokyo in 1964.

A documentary focusing on the things and animals necessary for the Olympics in Tokyo in 1964.

Third film in the festival trilogy

Noda’s team shot this film for Kanagawa News Film Association in 1972 as a document of annual rites practiced at Goryo Shrine in Kamakura. The footage was ultimately withheld from public view due to concerns about problems of discrimination at the origins of the masked procession festival. Noda obtained the footage from the NewsFilm Association and completed a version for private use in 1987.

This PR film for Nippon Express features location footage of modernized port facilities from Hokkaido and Honshu to Shikoku and Kyushu and of the process of loading cargo onto ships.

Sarushima Island lies off the coast of Yokosuka Port. In the late Edo Period the island was outfitted with artillery and in the Meiji period a fort was constructed by the Army. After Japan’s defeat in the war, it was opened as a sea park and young people began to make it a destination. Noda visited it to shoot in black and white in 1968, and in color in 1983. In excluding human figures from the screen and filming ruins and graffiti in their materiality, he experiments at creating a visual poem.

This film documents a large-scale event organized by the Utagoe (Singing Voice) working class choral and musical movement that took place over the course of three days in Tokyo on November 27, 1954 at Kyoritsu Auditorium and Tokyo Metropolitan Gymnasium. Tens of thousands of people from factories and farming villages across Japan take part. Folk songs from different local regions of Japan are sung and laborer choruses perform. Choruses and songs and dances from Korea and China are heard. The finale is a mass choral performance of “The Unforgivable Atom Bomb.”

The farming villages that exist throughout Tohoku are known for their rice production but struggle with cold-weather crop damage. Many who rely on the single crop this land produces end up leaving their villages to earn money. At the same time, innovative work has progressed with im- proved adaptation of rice beds to the environment. The film also features people who have cleared land for dairy farming and regions where large-scale land reclamation projects have been undertaken.

The Yokohama and Kawasaki factory district, industrial heart of Japan. In 1953, a Kanagawa Prefecture May Day (International Workers’ Day) took place here, spreading links of solidarity among workers. Workers criticize the Korean War-era transformation of Japan into an American military base and protest remilitarization. A new print will be screened.

In Yamakita, a town in the Ashigarakami District of Kanagawa Prefecture, there is a nenbutsu chanting practice associated with the Noanji Soto Zen temple that has a history of approximately 600 years. The nenbutsu is chanted as men rotate a large strand of 302 prayer beads affixed around a pulley. This is followed by a lion dance (shishimai) that proceeds around all the houses of the village as a purification ritual.

On the nights of the 14th, 15th, and 16th of August, the obon festival takes over the streets of the Niino community of Nagano Prefecture. At its conclusion, a practitioner of shugendo, a syncretic tradition combining elements of Buddhism and Shinto, serves as priest to send off the spirits of ancestors past that have journeyed back for Obon as well as the new spirits of those deceased within the past year. The spirits ride the flames of faceted lanterns that are lit and drift off into the eastern sky.

A documentary about the iconoclastic painter Yamashita Kikuji that depicts the 1969 Tomurai-ten (Funeral Exhibition) of then-recent work by Yamashita and his late older brother Taniguchi Kunbi, the living space he shared with his wife and his pet owls, and scenes of the artist at work.

The shimotsuki festival has been passed down over the centuries in the community of Shimoguri, located in Kamimura in Nagano Prefecture’s Shimoina District. The population once staged a revolt against the oppression of the Toyama clan who governed the region. Disease spread in the aftermath and was thought to be the work of the slain clan. The festival was initiated to clear their resentment. The masks of dead spirits dance amid clouds of steam from boiling water.

This film presents a contemporary Tokaido completely transformed from the scenery famously portrayed by Utagawa Hiroshige in the Edo Period: a landscape traversed by rail tracks and busy with cars coming and going. Heading west from Tokyo, we encounter the traditional industries that developed in the cities and localities along the highway, as well as the mechanical industries that arrived with modernization. The journey continues to Kyoto and Osaka

This film documents a snow festival with a history dating to the 13th century held at Izu Shrine in the Niino community of Anan-cho, a small town located in the Shimoina District of Nagano Prefecture. The winter snow that falls during the festival is thought to herald the abundant life force of spring. Noda completed this film over a five-year period beginning in 1974, visiting the festival each year with a small staff and editing the footage as he shot.

First film in the festival trilogy

Documentary by Noda Shinkichi

For four hundred years, the Honmoku Shrine in Yokohama’s Naka Ward has hosted the Oumanagashi Horse Running Festival to ward off evil. The day before the festival, ouma horse figures made from sedge grass and placed on boards are passed overhead by shrine parishioners dressed in formal costume until they enter the shrine. On the day of the festival, the ouma are paraded through the streets, then transferred to festival boats, floated out, and abandoned to the sea.

Documentary directed by Noda Shinkichi

This film documents the surging mass movement against ratification of the new U.S.-Japan Security Treaty in June of 1960. The National Diet Building is surrounded for days by demonstrators shouting, “Down with Kishi!” (then Prime Minister) and “Dissolve the Diet!” Workers also strike in protest of the treaty. Fierce clashing between riot police and demonstrators results in casualties.

This film documents the Sagicho Fire Festival, which takes place in the eight communities constituting Oiso, a town located in the warm climate along Kanagawa Prefecture’s Sagami Bay. It begins at the year’s end with an event in which children take the lead. With the new year, an okariya shelter is constructed in town for the dosojin guardian god. Then, saito bonfire structures are burned on the beach and young men perform a tug of war in the water.