Marek Kuboš

Slovak director Marek Kuboš has not shot a film in 13 years. His first film ever – a student exercise at film school – was a self-portrait. The circle is closed, the source of creativity has seemingly dried up. All that is left to do in the last self-portrait is to clean up after oneself, to recapitulate one’s successes and failures, and to bid farewell to one’s protagonists. This introspective meta-documentary is not so much a study of a creative crisis as it is a self-therapeutic process and an attempt at offering a comprehensive profile of the filmmaker at a time of unstable certainties. Appearing in the role of Kuboš’s consultants are essentially all leading Slovak documentary filmmakers.

Slovak director Marek Kuboš has not shot a film in 13 years. His first film ever – a student exercise at film school – was a self-portrait. The circle is closed, the source of creativity has seemingly dried up. All that is left to do in the last self-portrait is to clean up after oneself, to recapitulate one’s successes and failures, and to bid farewell to one’s protagonists. This introspective meta-documentary is not so much a study of a creative crisis as it is a self-therapeutic process and an attempt at offering a comprehensive profile of the filmmaker at a time of unstable certainties. Appearing in the role of Kuboš’s consultants are essentially all leading Slovak documentary filmmakers.

Slovak director Marek Kuboš has not shot a film in 13 years. His first film ever – a student exercise at film school – was a self-portrait. The circle is closed, the source of creativity has seemingly dried up. All that is left to do in the last self-portrait is to clean up after oneself, to recapitulate one’s successes and failures, and to bid farewell to one’s protagonists. This introspective meta-documentary is not so much a study of a creative crisis as it is a self-therapeutic process and an attempt at offering a comprehensive profile of the filmmaker at a time of unstable certainties. Appearing in the role of Kuboš’s consultants are essentially all leading Slovak documentary filmmakers.

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In this partly autobiographical documentary, the director traces the history of Generation 90, a group of Slovak filmmakers who studied in the 1990s. Kuboš conducts interviews with his contemporaries, including Jaroslav Vojtek, Peter Kerekes, and Zuzana Piussi, which he intersperses with their work, while at the same time placing both in a broader cultural and political history. A playfulness and respect for documentary film as such shines through the film.

In this partly autobiographical documentary, the director traces the history of Generation 90, a group of Slovak filmmakers who studied in the 1990s. Kuboš conducts interviews with his contemporaries, including Jaroslav Vojtek, Peter Kerekes, and Zuzana Piussi, which he intersperses with their work, while at the same time placing both in a broader cultural and political history. A playfulness and respect for documentary film as such shines through the film.

The portrait of the former news editor of STV, who created a "positive image of Slovakia" during the reign of Vladimír Mečiar, reveals how the post-totalitarian mechanisms of television manipulation worked.