Max Retik

Directing

Max Retik

Max Retik is an independent film director and producer from Los Angeles. After graduating from USC in 2019, he founded June Films, a small production company supporting the next generation of filmmakers creating a slate of bold, original shorts and features. Aside from directing, writing and producing, Max is a cinematographer and visual effects artist working in commercial and narrative.

Acting credits

Behind the camera

Black River poster
NR

In Eastern Kentucky, there's a lost generation of kids. Between the environmental impact of decades of coal mining and the economic impact of one of the highest poverty rates in the United States, I wander around the town of Fleming-Neon asking residents about their daily life, hopes, and fears.

Black River

2023

Black River poster
NR

In Eastern Kentucky, there's a lost generation of kids. Between the environmental impact of decades of coal mining and the economic impact of one of the highest poverty rates in the United States, I wander around the town of Fleming-Neon asking residents about their daily life, hopes, and fears.

Black River

2023

Lemons poster
NR

A backstage actor shows up late to set for a juice commercial.

Lemons

Lemons poster
NR

A backstage actor shows up late to set for a juice commercial.

Lemons

Lemons poster
NR

A backstage actor shows up late to set for a juice commercial.

Lemons

The Look poster
NR

An awkward student tries not to embarrass herself again in front of the coolest guy in school.

The Look

2019

The Look poster
NR

An awkward student tries not to embarrass herself again in front of the coolest guy in school.

The Look

2019

Thru The Wire poster
NR

A chronically online and socially inept teenager takes a leap of faith to meet up with her online bestie for the first time.

Thru The Wire

2024

We Used to Take the Long Way Home poster
NR

Returning to Vietnam for the first time since middle school, a teenage girl reunites with old friends for a nostalgic summer road trip to 'Lake Perfect.’ Racing through the countryside and armed with her camera, she attempts to uncover how much of what she left behind remains unchanged, only to discover the past she hoped to reclaim has been invariably altered by oceans of time.

We Used to Take the Long Way Home

2025