Bibbo

Khaibar Mail (or Khyber Mail) is a classic Pakistani film from 1960, known for its adventure/drama set around a train journey, featuring stars like Agha Hussaini, Nasira, Neelo, and Aslam Pervaiz, telling tales of love, danger, and local culture against the backdrop of the Khyber Pass region

Two childhood sweethearts are driven apart by a bitter family feud, only for a twist of fate and a shared tragedy to reunite them under the most complicated of circumstances.

Farzana, a lonely young widow known as "Baaji," finds her quiet life disrupted when her cousin Nasir visits. A tragic misunderstanding leads her to believe Nasir intends to marry her, unaware that his heart actually belongs to another.

Najma, a destitute but caring young woman, lives with her aunt and cousins in Murree. Her life slowly spirals out of control with the arrival of a rebellious young man from Karachi.

A story about two women, who shared their husband.

Film starring Neelo and Rattan Kumar.

An invisible maniac kills women who have birthmarks on their face while leaving the police clueless.

No synopsis available yet.

No synopsis available yet.

Prince Jahangir loves the slave girl Anarkali, which creates a serious conflict between Prince Jahangir and his father, Mughal emperor Akbar.

A social‑musical drama from early Pakistani cinema, starring Sabiha Khanum and Santosh Kumar. With music by Master Inayat Hussain, the film helped make its lead pair a bankable romantic duo, introduced fresh talent like Musarrat Nazir, and delivered box‑office success in 1955.

Sassi faces hardships and difficulties while seeking his beloved husband, who was separated from her by the rivals.

No synopsis available yet.

King of Umarkot, is looking for a bride but finds none to his liking. Phog mentions the unmatchable beauty of Marvi. Umar decides to check out Marvi for himself and immediately falls under her spell.

A blacksmith named Budhwa, who is "too ugly to get a life-mate," is set to marry a woman named Maina. However, Maina is secretly in love with another man and has to make a difficult decision on her wedding night. The film follows the chain of events that unfold after this choice, as Budhwa and Maina's lives become intertwined in unexpected ways.

A professional thief Dhanji Bhagat uses his street-dancer daughter Raju as cover while working for wealthy schemer Keshav Seth. After Dhanji’s death, Raju’s life spirals into entanglements with Keshav’s shady dealings, a reckless suitor named Ramesh, and a series of misadventures that mix crime, betrayal, and misplaced romance. The story races through thefts, murders, and mistaken loyalties, ending with Ramesh marrying Raju after a turbulent journey of deceit and redemption.

A flamboyant film producer Ramesh dotes on his glamorous star, Kishori, while avoiding a return to his village — and the wife he married in childhood, Rajni, whom he hasn’t seen since. When Rajni shows up in the city after a quarrel, unaware she’s competing with Kishori for her own husband’s affection, mistaken identities and meddling antics spark a lively “wife versus mistress” comedy of love, loyalty, and chaos.

A Muslim social film that explored themes of aristocracy, family dynamics, and societal norms within a Muslim community, focusing on the life and challenges of a "Great Nawab" (Bade Nawab Saheb

Snehalata’s life takes a dramatic turn when love, duty, and circumstance pull her between a poor orphan she once cared for and the wealthy man she marries. Her journey weaves through sacrifice, suspicion, separation, and an unexpected rise to fame, as the ties of love and family are tested across years of hardship and change.

Ostensibly a Central Asian war fantasy about a conflict between the Cossacks and the Tartars, Mehboob’s film proposes a tale advocating national independence. The Cossacks are oppressed by the despotic Russian king (Siddiqui) and his minister Jabir (Kayamali), who has Tartar blood in him. General Murad (Kumar) covertly sides with the opposition, gets arrested for treason and escapes. He meets the wild Gulnar (Sitara Devi) and gets her to spy as a maid of Princess Nigar (Bibbo). Nigar falls for Murad and Gulnar withdraws from the scene for the sake of her nation. Eventually Nigar, at the head of an army of women, helps defeat the villains.

A social woman-centered film interrogating aspects of feudal patriarchy. The painter Ashok (Surendra) who loves the orphaned Vimala (Bibbo) is distressed to learn that she is due to marry Jagdish (Yakub). He paints Vimala's portraits with a frenzied obsession and becomes a famous artist. Paralleling this love story is the decline in Ashok's family fortunes.

A realistic treatment of industrial working-class conditions in a Bombay textile mill.

Young, bored millionaire (Motilal) has a bet with his doctor that he will go out into the world without taking any money and survive for 300 days.

Thakur’s music-dominated debut tells of a love triangle involving the famous gramophone singer Sundardas (Surendra) who is happily married to Mohini (Prabha), and the even more popular singer Tilottama (Bibbo), who falls in love with Sundardas’s voice and wants them to sing a duet and have an affair. Ghosh Babu (Advani) is the manager of the record label.

The follow-up to Manmohan (1936) again starred Surendra and Bibbo. She is Neela, he plays Jagirdar Surendra. They secretly marry and have a child. When Jagirdar is presumed dead in a shipwreck, the child is considered illegitimate. The poor peasant Shripat (Pande) helps Neela by marrying her and raising her son Ramesh (Motilal). The husband eventually returns and violently quarrels with Shripat about who ‘owns’ Neela. When the villain Banwarilal kills Shripat, the husband is framed for the killing. The real problem, however, is the son’s rejection of his father, solved when together they face the gangsters in Narayanlal’s (Yakub) den.