Mattia Torre

Directing

Mattia Torre

Born 1972-06-10 · Rome, Italy

Acting credits

Behind the camera

Kidz poster
5.9

Sara and Nicola are married and in love. Their lives seem to be perfect: they have an angelic six-year-old daughter, thriving careers and a stable marriage. The birth of their second child, which disrupts the family balance, leads to tragicomic scenarios.

Kidz

2020

Boris: The Film poster
6.9

A director and his crew attempt to make the transition from the small to the big screen.

Boris: The Film

2011

Boris: The Film poster
6.9

A director and his crew attempt to make the transition from the small to the big screen.

Boris: The Film

2011

Il teatro di Mattia Torre : Backstage poster
NR

An exclusive behind-the-scenes look at Mattia Torre’s plays adapted for television, under the artistic direction and direction of Paolo Sorrentino.

Il teatro di Mattia Torre : Backstage

2022

Il grande salto poster
5.1

Nello and Rufetto are two second-rate robbers, both in their forties and living in a suburban neighborhood of Rome. After serving four years in prison for a botched robbery, resuming their business, and more importantly, successfully completing it, is no easy feat.

Il grande salto

2019

No artwork available
NR

No synopsis available yet.

Perfetta

Il teatro di Mattia Torre : 456 poster
NR

The story of a family living in the middle of a valley. The father, mother, and son are uneducated, distrustful, and on edge. They hurl accusations at each other, argue, pray, and hate one another. Yet a truce is needed because an unexpected guest is arriving who could change their future. Everything is perfect, but the truce won’t last.

Il teatro di Mattia Torre : 456

2022

Ogni maledetto Natale poster
5.6

Massimo Marinelli Lops and Giulia Colardo meet by chance in Rome and fall in love. Giulia asks Massimo to spend Christmas Eve with her family.

Ogni maledetto Natale

2014

Ogni maledetto Natale poster
5.6

Massimo Marinelli Lops and Giulia Colardo meet by chance in Rome and fall in love. Giulia asks Massimo to spend Christmas Eve with her family.

Ogni maledetto Natale

2014

Il teatro di Mattia Torre : In mezzo al mare poster
NR

Aurelia. 3:30 in the morning. On the way home from a wedding. A man witnesses an accident, and now, months later, he is called upon to “explain himself” before a judge. But testifying requires knowledge of the facts of the case, and he finds this difficult. Because in an age when everything must be clear, he is at the mercy of the waves.

Il teatro di Mattia Torre : In mezzo al mare

2022

Il teatro di Mattia Torre : Perfetta poster
NR

A monologue that chronicles a month in a woman’s life, through the four phases of the menstrual cycle. A woman who leads a routine life, marked by habits that repeat themselves every day, and who, like all of us, struggles to make her way in the world.

Il teatro di Mattia Torre : Perfetta

2022

Il teatro di Mattia Torre : Qui e ora poster
NR

A head-on collision between two scooters on a remote road on the outskirts of Rome. It is June 2, a national holiday, and emergency responders are slow to arrive. The two men lying on the ground are anthropologically irreconcilable opposites, destined to hate one another.

Il teatro di Mattia Torre : Qui e ora

2022

Il teatro di Mattia Torre : Migliore poster
NR

The comic and harrowing story of Alfredo Beaumont, an ordinary man who, following an accident (which he caused, for which he feels responsible, and for which he will be acquitted), falls into a deep crisis and becomes a villain. Suddenly, society throws open all its doors to him: Alfredo advances in his career, women desire him, and he is healed of his ills and fears. Migliore is a story about our times, about people who build their success on ruthlessness, cynicism, and contempt for others. And about the paradox of the despised who, in the face of these people, bow their heads and fascinated let them pass.

Il teatro di Mattia Torre : Migliore

2022

Il teatro di Mattia Torre : Gola poster
NR

A portrait of Italy viewed through its unhealthy relationship with food—a symbol of overabundance and false prosperity, but also of psychological abysses and unbridgeable voids: people eat excessively to forget, to avoid thinking, to avoid curiosity, to avoid being themselves, to replace someone who isn’t there or something they don’t have. Between anger and irony, the text condemns the indifference of which Italy is capable, and which finds its highest expression, its ideal setting, at the table, in front of sumptuous dishes.

Il teatro di Mattia Torre : Gola

2022