Hans-Jürgen Syberberg

No synopsis available yet.

Annual awarding of the Grimme Awards.

A 30-minute weekly cultural magazine program. The head of aspekte, Wolgang Herles, describes the program as follows: "For 40 years, "aspekte" has repeatedly set out to enrich television with cultural contrasts. "aspekte" understands culture not as the sum of facts and events, but as the taste, the sound, the rhythms of the times. It has proven itself as a journal of true luxury and fashions as well as an instrument of public education and information."

No synopsis available yet.

A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.

A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.

No synopsis available yet.

Annual awarding of the Grimme Awards.

A 30-minute weekly cultural magazine program. The head of aspekte, Wolgang Herles, describes the program as follows: "For 40 years, "aspekte" has repeatedly set out to enrich television with cultural contrasts. "aspekte" understands culture not as the sum of facts and events, but as the taste, the sound, the rhythms of the times. It has proven itself as a journal of true luxury and fashions as well as an instrument of public education and information."

No synopsis available yet.

A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.

A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.

A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.

A psychological interpretation of the opera mixing in references to the history of Germany, Wagner’s life, German literature and philosophy. The action is centered on Wagner’s death mask. Kundry is the main character – one might read the film as the story of her redemption rather than that of Amfortas.

This ethereal, three-hour biopic starring Helmut Käutner as the writer Karl May interprets «a German hero's life» and thereby paints a picture of an entire era.

This ethereal, three-hour biopic starring Helmut Käutner as the writer Karl May interprets «a German hero's life» and thereby paints a picture of an entire era.

Documentary about young actress Romy Schneider, capturing just the right moment between her first career as a young actress in mainstream "Unterhaltungskino" ("entertainment cinema") and her second one as acknowledged European arthouse actress.

Documentary about young actress Romy Schneider, capturing just the right moment between her first career as a young actress in mainstream "Unterhaltungskino" ("entertainment cinema") and her second one as acknowledged European arthouse actress.

Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972.

Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972.

Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972.

TV adaptation of Arthur Schnitzler’s eponymous book with Edith Clever as the only film actress.

This documentation of a Kortner stage rehearsal shows in detail and fascinatingly how Kortner developed psychological tensions with meticulous precision in linguistic expression and gestural construction.

This documentation of a Kortner stage rehearsal shows in detail and fascinatingly how Kortner developed psychological tensions with meticulous precision in linguistic expression and gestural construction.

An installation film that consists of a six-hour-long monologue performed by Edith Clever, who reads texts by Syberberg and many different authors, such as Johann Wolfgang von Goethe, Heinrich von Kleist, Plato, Friedrich Hölderlin, Novalis, Friedrich Nietzsche, Eduard Mörike, Richard Wagner, William Shakespeare, Samuel Beckett, and Chief Seattle.

Documentary film about the successful erotic film producer and author Alois Brummer. Documentary filmmaker Hans Jürgen Syberberg accompanies Brummer for six days in his daily business during the shooting of Brummer's film “Graf Porno und die liebesdurstigen Töchter” (Count Porno and the Love-Thirsty Daughters). In addition to Brummer, his employees and actors also have their say.

Documentary film about the successful erotic film producer and author Alois Brummer. Documentary filmmaker Hans Jürgen Syberberg accompanies Brummer for six days in his daily business during the shooting of Brummer's film “Graf Porno und die liebesdurstigen Töchter” (Count Porno and the Love-Thirsty Daughters). In addition to Brummer, his employees and actors also have their say.

Documentary film about the successful erotic film producer and author Alois Brummer. Documentary filmmaker Hans Jürgen Syberberg accompanies Brummer for six days in his daily business during the shooting of Brummer's film “Graf Porno und die liebesdurstigen Töchter” (Count Porno and the Love-Thirsty Daughters). In addition to Brummer, his employees and actors also have their say.

A Teutonic lecher on vacation has a wager with some local peasants that he can't make a walking circle from sunrise to sunset to secure some coveted land. The middle-aged businessman embarks on his journey only to be slowed down by the beautiful reporter Scarabea. With thoughts of drunkenness and sex on his warped mind, the man tries to circumnavigate the parcel of property. The story is a retelling of an ancient folk tale told by Tolstoy where the initial victim bets his soul to Satan against the land he desires.

A Teutonic lecher on vacation has a wager with some local peasants that he can't make a walking circle from sunrise to sunset to secure some coveted land. The middle-aged businessman embarks on his journey only to be slowed down by the beautiful reporter Scarabea. With thoughts of drunkenness and sex on his warped mind, the man tries to circumnavigate the parcel of property. The story is a retelling of an ancient folk tale told by Tolstoy where the initial victim bets his soul to Satan against the land he desires.

A Teutonic lecher on vacation has a wager with some local peasants that he can't make a walking circle from sunrise to sunset to secure some coveted land. The middle-aged businessman embarks on his journey only to be slowed down by the beautiful reporter Scarabea. With thoughts of drunkenness and sex on his warped mind, the man tries to circumnavigate the parcel of property. The story is a retelling of an ancient folk tale told by Tolstoy where the initial victim bets his soul to Satan against the land he desires.

Documentary images of scenes filmed at the Berliner Ensemble, during one of the final rehearsals.

In her Berlin apartment, where the S-Bahn and long-distance trains pass by, the actress Edith Clever reads Molly Bloom’s monologue from James Joyce’s “Ulysses”.

Behind the pulpit of the Gothic church, speakers take turns. A thousand names are written on the rustling pages: that’s how many people committed suicide in the town of Demmin in the spring of 1945. For decades, their fate was a taboo subject in Germany. Eighty years after the end of the war, the film classic Hans-Jürgen Sieberberg voices their names and, with the help of Mozart and Brahms, performs a requiem for them, creating a space of remembrance and cross-border cultural solidarity.

An ascent to the mountain in Tyrol with the music of Mozart.

The film features footage of three productions by the Berliner Ensemble from 1953: excerpts from performances of Puntila and Mutter, as well as a fairly detailed recording of the dress rehearsal for Urfaust. The production of “Urfaust,” created in collaboration with Egon Monk, had aroused the displeasure of SED cultural officials. Syberberg and Germanist Prof. Dr. Hans Mayer discuss the controversy.

A requiem for the now-defunct German state of Prussia.

This surrealistic experimental film finds the son of a young nobleman staying with hash-smoking hippies in a seamy section of Munich. He falls for a hippie girl who is involved in shaking down the young man's parents for money. She falls in love with the young man but the group continues to extract money from the parents in return for their wayward son. When he discovers the shakedown, his rage leads to tragedy for the star-crossed lovers.

The noble family of the Poccis owns the Ammerland castle on Lake Starnberg. The current lord of the castle leads a secluded, small life as a farmer, Unimog driver, horse lover, drummer and soccer player.

The film consists of a monologue performed by Walter Sedlmayr, who plays Theodor Hierneis, the chef at the court of Ludwig II of Bavaria. The screenplay was written by Syberberg and Sedlmayr and is based on the memoirs of Hierneis.

The film consists of a monologue performed by Walter Sedlmayr, who plays Theodor Hierneis, the chef at the court of Ludwig II of Bavaria. The screenplay was written by Syberberg and Sedlmayr and is based on the memoirs of Hierneis.

The film consists of a monologue performed by Walter Sedlmayr, who plays Theodor Hierneis, the chef at the court of Ludwig II of Bavaria. The screenplay was written by Syberberg and Sedlmayr and is based on the memoirs of Hierneis.

Fritz Kortner performs a monologue.

Winifred, the geriatric daughter-in-law of the famed composer Richard Wagner, talks about her cultural and political influence during the Third Reich. Yet in contradiction to the films's title, Winifred confesses nothing. The contradictions within her discourse do, however, reveal the extent of her delusions and political commitment as an unrepentant fascist. She paradoxically describes herself as a completely apolitical being, adamant that her classification as a grade three Nazi at the end of the war was a grave injustice. Still Winifred cannot contain her amusement when she recalls that after the collapse of the Third Reich, she was the only person left in Germany who would admit that she was a Nazi.

Edith Clever recites the complete text of The Marquise of O. by Heinrich von Kleist.

This Ecce Homo is an impressive statement of life beyond the death of an artist "of the descent of Dionysus".

'Mozart Requiem mit dem Finger gelesen' belongs to a group of 31 films which were made for the room 'Cave of memory' at Documenta X (1997).

In Heinrich von Kleist's "Penthesilea", war, the death of love and erotic cannibalism merge into a battle of the sexes. The drama, which was published in 1808, was not premiered until 70 years later. It is considered almost unplayable. Edith Clever and Hans Jürgen Syberberg have remembered that Kleist's "Penthesilea" was already read as a monologue in the time of its author and supplemented by pantomime on stage. In November 1987, they continued this tradition at the Théâtre des Bouffes du Nord in Paris: Edith Clever performed the play without lines and role changes, as a single long poem.

Hans Jürgen Syberberg grew up in the town of Demmin, the subject of his current film. The history of the town, in which a mass suicide with hundreds of deaths took place at the end of the Second World War, plays an important role. In his film, Syberberg documents his attempts, initiated decades ago, to re-establish Demmin's central market square as a place of community. A café was revived where people could watch films, drink coffee and sing together. Two architectural firms even presented concrete plans for a redesign of the square. Syberberg's commitment is not intended to restore "old conditions", but to give a place and a community back its lost center.

Hans Jürgen Syberberg grew up in the town of Demmin, the subject of his current film. The history of the town, in which a mass suicide with hundreds of deaths took place at the end of the Second World War, plays an important role. In his film, Syberberg documents his attempts, initiated decades ago, to re-establish Demmin's central market square as a place of community. A café was revived where people could watch films, drink coffee and sing together. Two architectural firms even presented concrete plans for a redesign of the square. Syberberg's commitment is not intended to restore "old conditions", but to give a place and a community back its lost center.

A short film by Hans-Jürgen Syberberg.