Sound
Abdelmajid R'chiche
Born
1942-03-23 (84)
Place of birth
Kenitra, Morocco
Known for
Sound
Credits
4 titles
Abdelmajid R'chiche (born March 28, 1942, in Kenitra) is a Moroccan filmmaker
Known for
NRA short fiction about a man who fights against the seizure of his land by powerful developers.
Shining
2017
7.0Six and Twelve is one of a series of short films and documentaries produced under the auspices of the Centre Cinématographique Marocain in the years after Moroccan independence. While most of these were utilitarian in nature, Bouanani, Tazi, and Rechiche took a different route with this film, creating a modernist “city symphony” film that documented six hours in the life of the city of Casablanca. Combining a hard bebop soundtrack with stunning black and white cinematography and a radical editing style, the film stands as a document to the energetic experimentation of this period of Moroccan art and cinema.
Six and Twelve
1968
Behind the camera
NRA short fiction about a man who fights against the seizure of his land by powerful developers.
Shining
2017
NRA short fiction about a man who fights against the seizure of his land by powerful developers.
Shining
2017
7.0Six and Twelve is one of a series of short films and documentaries produced under the auspices of the Centre Cinématographique Marocain in the years after Moroccan independence. While most of these were utilitarian in nature, Bouanani, Tazi, and Rechiche took a different route with this film, creating a modernist “city symphony” film that documented six hours in the life of the city of Casablanca. Combining a hard bebop soundtrack with stunning black and white cinematography and a radical editing style, the film stands as a document to the energetic experimentation of this period of Moroccan art and cinema.
Six and Twelve
1968
7.0Six and Twelve is one of a series of short films and documentaries produced under the auspices of the Centre Cinématographique Marocain in the years after Moroccan independence. While most of these were utilitarian in nature, Bouanani, Tazi, and Rechiche took a different route with this film, creating a modernist “city symphony” film that documented six hours in the life of the city of Casablanca. Combining a hard bebop soundtrack with stunning black and white cinematography and a radical editing style, the film stands as a document to the energetic experimentation of this period of Moroccan art and cinema.
Six and Twelve
1968
