Campbell Caspary

Spending every evening in a new and mysterious stranger’s bed, capricious transient Nore agrees to move into a spare room eagerly offered to her by Jonna, a reserved medical student. Against the odds, this unlikely pair finds solace in each other and fall into an intoxicating pattern of partying hard at night with the local men vying for their attention. As their relationship intensifies, Nore’s troubled past comes to light and threatens to dismantle the blissfully ignorant, inexplicably jubilant lifestyle they’ve built together in this “candy-colored, flamboyant and deeply personal film.” (Variety)

He wants to leave but he longs to hear that he should stay. She is looking for reasons to keep him from leaving that do not include her. A film about relationships, misunderstandings and a lack of perspective.

Ecology, equality, sustainability: Anita and Sarah pursue lofty political goals as they establish a new feminist party. By contrast, the men who are infected by a new type of virus tend to have less honorable intentions. The consequences: sexual obsession, molestation, and death. Urgent effort is put into developing a vaccine. But should the male sex be saved at all?

In this film, shot in Drachhausen/Hochoza in southern Brandenburg, film students from Potsdam reinterpret Schiller's play ‘Die Jungfrau von Orleans’ (The Maid of Orleans) and set it in Lower Lusatia. Johanna, the harvest queen, campaigns for the expansion of a solar park. She is celebrated by many for this, but some are hostile towards her. After the cock plucking/łapanje kokota, a scandal erupts in the ballroom.

Paula, a young supporting character, studies at the Main Character School and dreams on graduating to become a lead.