Juan Pablo Richter

An introvert city teenager is sent to his father's limber ranch. While trying to figure out his place as the son of the boss he finds himself in a world packed with naturalized violence.

A team of young aspiring filmmakers are searching for the ideal actress for a horror film. The candidates are forced to endure long torture scenes, which they cannot stop once begun, including strange incisions in different parts of the body with sharp instruments of various sizes, the use of cigarettes and blowtorches to burn the skin, the crushing of the toes at the point of a hammer, and other twisted things that leaving the girls as bleeding remains. This is alternated with direct explanations to the camera by the director, the producer, and the cameraman who explain their crazy criteria about art and the aesthetic-dramatic sense of the scenes.

Genoveva, 16, lives in a small Bolivian shithole of a town in the 80´s. Her obsession is time. For how long it takes an ant to cross a leaf from one side to the other or the time it takes for a glass of water to fill. In the loneliness of her adolescent days, her adolescent hours, her adolescent minutes, Geno tries to survive the nuns at school, her hostile classmates, her hopeless parents, and men with guns.

Max returns home after many years of having left. His sister is waiting there for him to bury the ashes of the man who raised them after their parents' death, an old boxing champion named Eduardo “La Bruja” Sánchez.

An introvert city teenager is sent to his father's limber ranch. While trying to figure out his place as the son of the boss he finds himself in a world packed with naturalized violence.

An introvert city teenager is sent to his father's limber ranch. While trying to figure out his place as the son of the boss he finds himself in a world packed with naturalized violence.

A team of young aspiring filmmakers are searching for the ideal actress for a horror film. The candidates are forced to endure long torture scenes, which they cannot stop once begun, including strange incisions in different parts of the body with sharp instruments of various sizes, the use of cigarettes and blowtorches to burn the skin, the crushing of the toes at the point of a hammer, and other twisted things that leaving the girls as bleeding remains. This is alternated with direct explanations to the camera by the director, the producer, and the cameraman who explain their crazy criteria about art and the aesthetic-dramatic sense of the scenes.

A team of young aspiring filmmakers are searching for the ideal actress for a horror film. The candidates are forced to endure long torture scenes, which they cannot stop once begun, including strange incisions in different parts of the body with sharp instruments of various sizes, the use of cigarettes and blowtorches to burn the skin, the crushing of the toes at the point of a hammer, and other twisted things that leaving the girls as bleeding remains. This is alternated with direct explanations to the camera by the director, the producer, and the cameraman who explain their crazy criteria about art and the aesthetic-dramatic sense of the scenes.

A team of young aspiring filmmakers are searching for the ideal actress for a horror film. The candidates are forced to endure long torture scenes, which they cannot stop once begun, including strange incisions in different parts of the body with sharp instruments of various sizes, the use of cigarettes and blowtorches to burn the skin, the crushing of the toes at the point of a hammer, and other twisted things that leaving the girls as bleeding remains. This is alternated with direct explanations to the camera by the director, the producer, and the cameraman who explain their crazy criteria about art and the aesthetic-dramatic sense of the scenes.

Genoveva, 16, lives in a small Bolivian shithole of a town in the 80´s. Her obsession is time. For how long it takes an ant to cross a leaf from one side to the other or the time it takes for a glass of water to fill. In the loneliness of her adolescent days, her adolescent hours, her adolescent minutes, Geno tries to survive the nuns at school, her hostile classmates, her hopeless parents, and men with guns.

Max returns home after many years of having left. His sister is waiting there for him to bury the ashes of the man who raised them after their parents' death, an old boxing champion named Eduardo “La Bruja” Sánchez.