JR

America's popular television News magazine in which an ever changing team of CBS News correspondents contribute segments ranging from hard news coverage to politics to lifestyle and pop culture.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

A documentary following JR's artwork giving a global voice to everyday people.

A ballet dancer is late for an audition for a show inspired by Plato's Allegory of the Cave. She arrives with her seven-year-old son, Jay, and begs the director to give her a chance.

A follow-up special to Madonna's recently released concert documentary film MADAME X. This special features questions from very special guests Ariana Grande, Amy Schumer, Billie Eilish, Doja Cat, Jimmy Fallon, Kim Kardashian, Snoop Dogg, and more.

LEICA - A CENTURY OF VISION shows how the invention of the 35mm format revolutionized documentary photography. Featuring legendary and contemporary photographers the film reveals the camera's enduring power to capture history as it unfolds.

America's popular television News magazine in which an ever changing team of CBS News correspondents contribute segments ranging from hard news coverage to politics to lifestyle and pop culture.

An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls “cine-writing,” traveling from Rue Daguerre in Paris to Los Angeles and Beijing.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

A documentary following JR's artwork giving a global voice to everyday people.

A ballet dancer is late for an audition for a show inspired by Plato's Allegory of the Cave. She arrives with her seven-year-old son, Jay, and begs the director to give her a chance.

A ballet dancer is late for an audition for a show inspired by Plato's Allegory of the Cave. She arrives with her seven-year-old son, Jay, and begs the director to give her a chance.

Currently and formerly incarcerated men at California’s supermax penitentiary in Tehachapi collaborate with renowned photographer and artist JR on a project to transform the prison yard into a powerful – but temporary – work of art.

In The Past Goes Fast, Robert De Niro opens the doors of his father’s studio, preserved for almost thirty years, to JR. He discusses his complex relationship with his father, Robert De Niro Sr (1922-1993), an abstract expressionist painter.

French visual artist-director JR situates his latest social-art intervention in a Southern Californian supermax prison, where he has imagined an enormously ambitious collaboration with the facility’s inmates.

Ellis, a fourteen-minute film directed by JR and written by Academy Award winner Eric Roth, tells the elusive story of countless immigrants whose pursuit of a new life led them to the now-shuttered Ellis Island Immigrant Hospital. Following its opening in 1902, approximately 1.2 million people passed through the facility, where the Statue of Liberty can be seen from the windows. Languishing in a sort of purgatory awaiting their fate, many were never discharged.

JR, a contemporary artist, returns to Clichy-Montfermeil in the suburbs of Paris where his artistic adventure first began 14 years ago with Ladj Ly, his strongest link to the neighborhood. Both decide to create a monumental mural portraying a singular portrait of the inhabitants of this territory, inspired by the Mexican muralist Diego Rivera. "The Clichy-Montfermeil Chronicles" not only illustrates how an urban utopia of the 1960’s has transformed into a neighborhood in a state of unrest, but also sheds a light on subjects JR and Ladj Ly covered over a decade ago.

In his film "Women Are Heroes", photographer JR takes his audience into some exceptional women’s lives. Because there are, most of the time, the first victims in war-time and left to their own during peace-time, JR pays tribute to those women who, in spite of the hurdles, keep smiling, keep fighting and keep hoping a better life. From Rio’s shantytowns to Kenyan slums, passing by Indian and Cambodian streets, he offers a fresh look at their struggles and expectations. Displaying their portraits via huge montages on their neighborhood’s walls, JR sublimates those extraordinary destinies and sheds the lights on those strong and moving personalities, too rarely recognized enough.

In his film "Women Are Heroes", photographer JR takes his audience into some exceptional women’s lives. Because there are, most of the time, the first victims in war-time and left to their own during peace-time, JR pays tribute to those women who, in spite of the hurdles, keep smiling, keep fighting and keep hoping a better life. From Rio’s shantytowns to Kenyan slums, passing by Indian and Cambodian streets, he offers a fresh look at their struggles and expectations. Displaying their portraits via huge montages on their neighborhood’s walls, JR sublimates those extraordinary destinies and sheds the lights on those strong and moving personalities, too rarely recognized enough.

Art and social uproar interweave in this film based on the ballet Les Bosquets of New York City Ballet, inspired by the 2005 French suburb riots. A continuation of JR's Portrait of a Generation, it recalls his experience in the ghetto of Montfermeil using various means of expression and narration: video archives, choreography, and testimony.

Art and social uproar interweave in this film based on the ballet Les Bosquets of New York City Ballet, inspired by the 2005 French suburb riots. A continuation of JR's Portrait of a Generation, it recalls his experience in the ghetto of Montfermeil using various means of expression and narration: video archives, choreography, and testimony.

Art and social uproar interweave in this film based on the ballet Les Bosquets of New York City Ballet, inspired by the 2005 French suburb riots. A continuation of JR's Portrait of a Generation, it recalls his experience in the ghetto of Montfermeil using various means of expression and narration: video archives, choreography, and testimony.

A farming community gathers on a plateau on the border of three regions for the funeral of traditional agriculture. It’s a film to ward off the disappearance of a millenary culture.