Enrica Antonioni

A three-part anthology about love and sexuality: a menage-a-trois between a couple and a young woman on the coast of Tuscany; an advertising executive under enormous pressure at work, who, during visits to his psychiatrist, is pulled to delve into the possible reasons why his stress seems to manifest itself in a recurring erotic dream; a story of unrequited love about a beautiful, 1960s high-end call girl in an impossible affair with her young tailor.

Four tales, each centered on a woman, journey inward to explore the enigmatic reality of their lives, connecting through a single narrative thread.

Movie director Niccolò has just been left by his wife. Subsequently he embarks on an obsessive relationship with a young woman who eventually leaves him and disappears while searching for her, he meets a variety of other willing girls. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading part in the movie.

After the release of "Nostalgia", Andrei Tarkovsky runs out his Soviet authorities permission to work abroad: he has to go back home. But he understands from the messages of some friends and colleagues that his life in Russia would be even tougher than before. So he then decides to break with Soviet authorities and, a year before the Milan Conference of 1984 during which he will announce publicly his decision, he leaves his friends that are hosting him in Rome and takes refuge in a secret location.

An account of the life and work of legendary cinematographer and director Carlo Di Palma (1925-2004) and an emotional journey through the great moments of cinema, from Italian neorealism to the masterpieces of Woody Allen.

A short film containing some of the highlights of the Cannes Film Festival's storied history.

A behind-the-scenes look by wife Enrica Antonioni into Michelangelo Antonioni's passion for cinema as he directs Beyond the Clouds (1995), assisted by filmmaker Wim Wenders.

In the 1980s, Michelangelo Antonioni traveled with his partner, actress and filmmaker Enrica Fico Antonioni, to Japan with the intent of creating a documentary, Un viaggio in Giappone, that would chronicle “the social transformations undergoing in Japan through the experimental use of new film technologies,” specifically the Betacam. Un po' di Giappone is the shortened version of the documentary.

The tapes were occasioned by a TV interview Michaelangelo Antonioni gave to the godfather of postwar Italian cinema, Gian Luigi Rondi, in 1985 wherein he mentioned visiting the Sony camera factory in Japan. Little is known about the exact reasons the Italian director travelled to Japan in the mid 80s, aside from some generic research purposes that coalesced in the final edit of Un viaggio in Giappone (1990), then edited down to the shortened version Un pò di Giappone.

This documentary assembles footage shot by Michelangelo Antonioni during the 1977 Kumbha Mela, one of the largest religious gatherings in Hindu tradition. The film observes pilgrims and rituals associated with the festival, which takes place at sacred river sites in northern India.

This short documentary offers a visual portrait of Sicily as observed by Michelangelo Antonioni. Composed as a series of images rather than a narrative account, the film presents Antonioni’s impressions of the landscape and atmosphere of the island.