Daniela Alatorre

Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.

In one of Latin America’s most unequal countries, Francia Márquez, a Black Colombian rural activist, challenges the status quo with a presidential campaign that reappropriates the derogatory term “Igualada” — someone who acts as if they deserve rights that supposedly don’t correspond to them — and inspires a nation to dream.

As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.

This documentary walks the line between fact and fiction, delving into corruption in the Mexican police through the experiences of two officers.

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

Images, voices, and interrupted silences that evoke the intangible losses caused by COVID-19.

Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.

Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.

Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.

In one of Latin America’s most unequal countries, Francia Márquez, a Black Colombian rural activist, challenges the status quo with a presidential campaign that reappropriates the derogatory term “Igualada” — someone who acts as if they deserve rights that supposedly don’t correspond to them — and inspires a nation to dream.

As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.

This documentary walks the line between fact and fiction, delving into corruption in the Mexican police through the experiences of two officers.

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

Images, voices, and interrupted silences that evoke the intangible losses caused by COVID-19.

Images, voices, and interrupted silences that evoke the intangible losses caused by COVID-19.

In Mexico City's wealthiest neighborhoods, the Ochoa family runs a for-profit ambulance, competing with other unlicensed EMTs for patients in need of urgent care. In this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care.

Bird watchers on both sides of the U.S.-Mexico border share their enthusiasm for protecting and preserving some of the world's most beautiful species.

Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.

Filmmaker Diego Gutiérrez knows that he is soon to lose two loved ones: his mother Gina Coppe and his best friend Danniel Danniel. Both ask him to film them during this final phase of their lives—Gina in her apartment in Mexico City, Danniel in a Dutch restaurant where he feels at home. What stories do they want to leave behind?

Filmed mostly with drones, this short film shows what happened before, during and after the devastating earthquake that struck Mexico City in September 19, 2017. Through sound recordings of the rescue operations, accounts from survivors and journalistic chronicles, this film reflects the uncertainty and bewilderment caused by the quake.