Petar Petrov

Lucas, a 14-year-old boy inducted into the gang life in Washington D.C., is determined that his 10-year-old brother won't follow the same path. When an Afghanistan war veteran comes into the neighborhood, an opportunity arises.

Old people from a small village in Guria, renowned for their love and knowledge of folk songs, will be performing at a folk song festival in a Bulgarian seaside resort. Their Guria songs will delight the audience, making them many good friends and embarking on fun adventures.

He is well educated, charming, and gallant - a dream for each lonely lady. In reality he is a skillful swindler, who robs naive women. Cheating merchants with guilty consciences are his targets as well. This is the elusive protagonist of the movie. He constantly changes his name, stages his own death, and travels from town to town. His exploits are myriad and his life is an endless adventure. Yet, he remains an amiable swindler, an unrealized actor, whose only goal is make his life more interesting.

Pepi decided to test the power of an old friendship. As midnight approaches, he calls five of his childhood friends with an invitation to dinner. Some scold him, others promise to come, others rejoice. Eventually, everyone gets together for an impromptu dinner.

An American action star from the 90's is shooting a movie in Bulgaria, while three of his (now grown up) fans try to meet their childhood idol. After a series of bad decisions, the three fans are between the Russian mafia, huge amount of drugs, and huge debt. So they decide to rob the Hollywood production which their childhood idol is shooting.

The young partisan Nestor makes attempt to escape from prison, but is shot in the chest. After a few tense hours, the surgeon professor Andronikov removes the bullet, however Nestor is to be tortured in the police station. The professor makes his case in front of the health minister who promises to help him. The minister wants Nestor to express regret for his actions and offer the authorities certain information.

A girl walks out as if of Pandora's Box to foretell the drama humankind is to face, paying for all sins, we have been piling up through the ages. A number of directors being parodied take turns to show their take on this drama and relate it to modern life. Getting tangled up in the opposition between the eternal and transient, the base and the sublime, it all turns into a cocktail of an absurd and profound poignancy.