Teresa Iervolino

In Amsterdam, conductor Emmanuelle Haïm and director Calixto Bieito take on Handel’s famous Giulio Cesare.

Building on the success of Cavalleria rusticana, Pietro Mascagni’s commedia lirica L’amico Fritz was given seven encores and thirty-five curtain calls at its premiere in Rome in 1891. Considered by critics to be one of Mascagni’s best operas, the story is that of a love triangle involving the wealthy Fritz Kobus and Suzel, daughter of one of his tenants, who together sing the famous ‘Cherry Duet’ in Act II. Returning to the Teatro del Maggio Musicale in Florence for the first time since 1941, this production was acclaimed for its superb cast and astonishingly effective modern setting.

Linda di Chamounix is a pretty country girl who is in love with Carlo, who she believes is a penniless artist. Her honour is threatened by the local squire and she escapes to Paris in search of fortune. This is a tale of courage and madness, in which we discover and experience the strength and suffering of a woman torn apart by estrangement from family and love. Donizetti reaped full and longlasting success with Linda di Chamounix, and it became one of his most modern, appreciated and long-lived works. Jessica Pratt leads an all-star cast in this acclaimed production from the Teatro del Maggio Musicale Fiorentino.

In the aftermath of the Trojan war, a series of unrequited loves threatens to destabilise the fragile peace. But for a spurned Spartan princess, there are only two options left: forgiveness and murder. The most ambitious and innovative of all Rossini’s operas, Ermione was a calamitous failure on its opening night at the Teatro di San Carlo 200 years ago. It now returns to the Neapolitan theatre in a new production by Italian director Jacopo Spirei starring American soprano Angela Meade in the title role.

Handel’s Rinaldo was presented at the 2018 Festival della Valle d’Itria in its rare Neapolitan version of 1718, reconstructed from historical sources by musicologist Giovanni Andrea Sechi. Created in Naples by Leonardo Leo and other composers after the opera’s success in London, this version incorporates additional music, comic characters and intermezzi, and was performed in modern times for the first time. Fabio Luisi conducted the baroque ensemble La Scintilla, with Teresa Iervolino as Rinaldo and Carmela Remigio as Armida. Giorgio Sangati’s colourful, rock-inspired production transformed the protagonists into pop-culture figures, including Rinaldo as Freddie Mercury and Armida as Cher.

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With her village under siege, a daring widow implores the invading general for mercy. Catching the military man with his trousers down, she uses all her cunning and charisma to try and save her people. Courage triumphs in this allegorical oratorio. Though not intended for the theatre, the twists and turns of the plot lend itself perfectly for staged production. Distinguished Baroque and Vivaldi specialist Andrea Marcon conducts his own early music ensemble, La Cetra Barockorchester Basel.

No synopsis available yet.