Igor Bezrukov

The protagonist of The Wooden Room is a director of documentaries, who lives with his wife - who is as stoic as he - in an isolated hut in the woods. The director is obsessed by filming marginal events in life. The closer he can get to these events with his camera, the more he becomes involved with them. In the end he falls victim to them. The film, with no dialogue and hardly any sound, is an experimental meditation on the complex, continually-changing relationship between a film-maker and his subject.

A military group of alpinists are selected to carry out a secret mission. The fate of humanity depends on their success. The rules of the mission require the death of each participant once his or her task is accomplished. After killing one of their colleagues and splitting into several groups, the alpinists continue their journey. But the human unconscious doesn’t follow military orders. Having once committed murder, the “knights” can’t control their desire to kill. They forgot their mission… and kill each other instead. —University of Pittsburgh

The beginning of the 20th century. The recklessness of fanatics is pushing humanity towards the abyss. A revolution begins in Russia. Crazy Dr. Farkus induces an orgasm of inanimate matter. White Moroccan dwarfs are becoming active. A second Sun appears in the sky. In this difficult environment, captains selflessly confront the forces of chaos, maintaining the cosmic balance of history.

Mirror film, intellectual game, tribute to Jean-Luc Godard and "Breathless". The narrative plot resumes the transposed history in post-Soviet St. Petersburg.

A parody film about space directed by members of NOM.

The demobilized Baltic sea sailor met the injustice of the world around him and committed suicide.

No synopsis available yet.

St. Petersburg banter on the topic of Mozart’s stay in present-day St. Petersburg. Mozart loved Salieri very much. Together they messed around in a tavern. However, Mozart never drank with Salieri - he offered his glass to one of his friends. Friends were very unhappy...

Inspired by Flaubert’s Madame Bovary, Sokurov’s Save and Protect recalls the most crucial events of Emma’s decline and fall: affairs with the aristocratic Rodolphe and the student Leon, the humiliation that follows her husband’s botching of the operation on the stable boy’s clubfoot. The universality of the theme of eternal struggle between the soul and the flesh is conveyed through the absence of specific reference to time or place: although the film seems to begin in 1840, its surreal mode effortlessly accommodates an automobile and the strains of “When the Saints Go Marching In” on an off-screen radio. Focusing on passion from a woman’s perspective and downplaying plot, Sokurov explores his subject in exquisite detail, capturing not only the heat of passion but also the quiet moments before and after and the innocent sensuousness of the body.

The remake of the original 1939 "Tractor Drivers"... Same heroes, but totally different times.

Poetic portrait of a filmmaker. The famous director reflects on creativity and love. His friends and associates take part in the film: artist Vladimir Shinkarev, engineer Vladimir Nikolaev, actress Elena Kramer (Spiridonova), director, film critic Oleg Kovalov, necrorealist directors Yevgeny Yufit, Igor Bezrukov.

The youth troupe of the Kirov Theater under the direction of Andrei Bosov staged an intermission opera by Yuri Khanin - from the ballet “Shagreen Bone”... The opera is even more eccentric - if that is possible - than the composer wandering around the frame and climbing around the back of the stage...

The youth troupe of the Kirov Theater under the direction of Andrei Bosov staged an intermission opera by Yuri Khanin - from the ballet “Shagreen Bone”... The opera is even more eccentric - if that is possible - than the composer wandering around the frame and climbing around the back of the stage...

A semi-fictional, semi-documentary study of suicides.

A negligent student of the Academy of Fine Arts is late for a drawing lesson and instead of an analytical drawing of a plaster Venus, he hastily "paints" a red square, after which he is subjected to a demonstrative flogging by the professor.