Ülo Tambek

Different eras and geographical locations have their own dreamscapes. Here, however, the mythical El Dorado is a mining site. Tambek does not simply document miners’ lives, but creates an image of a secluded universe far away from social norms, one that engenders a unified space between reality and dream.

No synopsis available yet.

Eduard Wiiralt (1898-1954) is considered to be the most prominent master of Estonian graphic art in the first half of 20th century. Wiiralt's restless and intricate life is expressed through his work that is also the object and the main expressive means of the documentary.

A reportage about young people who have arrived at the Sommerling state farm. The main focus is on young people who have come to Narva from the countryside and will start working in the horticultural brigade. The film follows the work and activities of the girls, as well as the entire fieldwork of the state farm from spring to autumn.

This film bears witness to both the Soviet production system and censorship. The view of life on a collective farm depicted here seemed too bleak for the officials involved, and the film was not screened for two decades. What we see is an honest observation of country life presented in a wonderful visual form.

Different eras and geographical locations have their own dreamscapes. Here, however, the mythical El Dorado is a mining site. Tambek does not simply document miners’ lives, but creates an image of a secluded universe far away from social norms, one that engenders a unified space between reality and dream.

No synopsis available yet.

Eduard Wiiralt (1898-1954) is considered to be the most prominent master of Estonian graphic art in the first half of 20th century. Wiiralt's restless and intricate life is expressed through his work that is also the object and the main expressive means of the documentary.

A reportage about young people who have arrived at the Sommerling state farm. The main focus is on young people who have come to Narva from the countryside and will start working in the horticultural brigade. The film follows the work and activities of the girls, as well as the entire fieldwork of the state farm from spring to autumn.

This film bears witness to both the Soviet production system and censorship. The view of life on a collective farm depicted here seemed too bleak for the officials involved, and the film was not screened for two decades. What we see is an honest observation of country life presented in a wonderful visual form.