Amparo Noguera

In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote ‘Yes’ or ‘No’ to Pinochet extending his rule for another eight years. Opposition leaders for the ‘No’ vote persuade a brash young advertising executive, René Saavedra, to spearhead their campaign. Against all odds, with scant resources and while under scrutiny by the despot’s minions, Saavedra and his team devise an audacious plan to win the election and set Chile free.

Marina's life is thrown into turmoil following the death of her partner. Mourning the loss of the man she loved, she finds herself under intense scrutiny from those with no regard for her privacy.

It’s 1948 and the Cold War has arrived in Chile. In the Congress, prominent Communist Senator and popular poet Pablo Neruda accuses the government of betraying the Party and is stripped of his parliamentary immunity by President González Videla. The Chief of Investigative Police instructs inspector Óscar Peluchonneau to arrest the poet. Neruda tries to escape from the country with his wife, the painter Delia del Carril, but they are forced to go underground.

After living for over two centuries, Augusto Pinochet is a vampire ready to die… but the vultures around him won't let him go without one last bite.

During the last years of Pinochet's military regime, a group of militants from the "Manuel Rodríguez Patriotic Front" plan a prison break of political prisoners, through a tunnel that will take them 18 months to dig.

Ema is a magnetic and impulsive dancer in a reggaeton troupe. Her toxic marriage to choreographer Gastón is beyond repair, following a decision to give up on their adopted child Polo. She sets out on a mission to get him back, not caring who she’ll need to fight, seduce or destroy to make it happen.

A man is obsessed with John Travolta's disco dancing character from "Saturday Night Fever".

Ana, wants her brother Andres to forgive her father, after years of distance. She must deal over and over again with all the situations that affect her dysfunctional family, while in silence, her own children coexist with abortion, drugs and indifference. Three conflicts over lack of communication and an unexpected end.

No Place in Anywhere can deal with many issues. It is a personal journey through image and time. It is the portrait of the "La Matriz" neighborhood in Valparaíso. It is the encounter between reality and fiction. It is the constant search to find a truth within the documentary. It is a musical rehearsal. It is the constant preparation of a documentary. It is a documentary of questions more than answers. A silent face, an empty road, a winter landscape, the wind moving the leaves of a tree, a wall, the sea, the street of a neighborhood, all of them intend to "create through the record" a unique truth for each viewer.

María returns to her coastal hometown after learning of her mother's death. As she deals with pending tasks, the memory of her complicated and strained relationship with her mother haunts her.

The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last letters as a base, this film is meditation on the power of the word and its undertsanding and the the last moments before saying "goodbye".

Andrea visits her incarcerated son for the first time. Initially eyed with suspicion by other women in line, she gradually gains their trust — and emerges as a powerful advocate for justice reform.

Stark formal choices counterbalance profound emotions and vulnerability in this poignant lover’s goodbye.

Children come to a hospital to visit their dying father they haven't seen for 8 years. They try to recover their relationships before he dies.

A music student’s testimony ignites a feminist uprising on her campus, where protest becomes performance and collective voice becomes an act of resistance.

After reading in the newspaper that a newborn baby was found in a dumpster, a teacher becomes obsessed with giving it a proper burial.

After long decades of exile, a leftist former activist returns to Chile to settle accounts with his conscience, related to the death of a colleague and political hero . The task of Atalibar is to reveal his secret. But his view clashes with the current country, godless, far from the old ideologies and where all his old colleagues have changed.

A surreal Chilean road movie in which two wanderers come across an assortment of oddballs.

Among gunshots and boleros, a passionate relationship flourishes between a lonely transvestite and a young guerrilla during the Pinochet dictatorship.

Dealing with a series of increasingly absurd situations and relationships, recently separated yoga instructors Gustavo and Vanesa are finding it difficult to live apart. Their challenges include meddling mothers, amnesiac students, and burgeoning romances. Step by step, they find their way back to the practice.

In a bar in Santiago, two old men talk over their past. This is a strange discussion. In fact, they talk of themselves as if they were dead. We don't know what is true or false, what is dream or reality.

During one hot summer day, little things happen to the visitors and workers of an old thermal resort in southern Chile. Julieta, Francisco, Isa, Rodrigo, Ignacio, Mariana, Muriel, Gabriela, Eliseo, Norma, Alejandra and Claudio experience the long vacation hours in nature, sleeping in the sun, learning how to drive, cleaning the house, kissing for the first time, swimming at night or just walking and talking, while the day slowly unravels into small fragments of happiness and discovery.

In Chile, 1973, during the last days of Salvador Allende's presidency, an employee at a Morgue's recording office falls for a burlesque dancer who mysteriously disappears.

When the elderly caretaker of a remote morgue discovers the body of a young woman killed during a protest, he embarks on a magical odyssey to give her a proper burial before the militia returns.