Marcelo Alonso

It’s 1948 and the Cold War has arrived in Chile. In the Congress, prominent Communist Senator and popular poet Pablo Neruda accuses the government of betraying the Party and is stripped of his parliamentary immunity by President González Videla. The Chief of Investigative Police instructs inspector Óscar Peluchonneau to arrest the poet. Neruda tries to escape from the country with his wife, the painter Delia del Carril, but they are forced to go underground.

After living for over two centuries, Augusto Pinochet is a vampire ready to die… but the vultures around him won't let him go without one last bite.

Chile, early 20th century. José Menéndez, a wealthy landowner, hires three horsemen to mark out the perimeter of his extensive property and open a route to the Atlantic Ocean across vast Patagonia.

Through eleven intertwined stories, “Once” follows the 18 consecutive hours following the military coup, ending in the bombing of the official government headquarters, La Moneda Palace, and the demise of then president Salvador Allende.

A man is obsessed with John Travolta's disco dancing character from "Saturday Night Fever".

Muñeca wanders through Santiago streets with his comrades, All them tired from work and unhappiness, go in the search of a party or just a reason to celebrate.Little by little things began to unveil the experiences and the different points of view that each one has about work, the city and life ...

Carla is abandoned by her husband while vacationing on a national park. There she finds herself stranded with a Norwegian backpacker and a former pop star.

In a wooded and inhospitable village at the end of the world, there exists “The Ancients,” a subversive group of sorcerers who seek to reestablish the so-called “Recta Provincia.” Juan, a police chief, arrives in this village with his daughter Emilia. What they both don't know is that Emilia is the one “The Ancients” have been waiting for to reactivate a new order and revive their monstrous guardian, the INVUNCHE, through a ritual sacrifice.

In a secluded house in a small seaside town live four unrelated men and the woman who tends to the house and their needs. All former priests, they have been sent to this quiet exile to purge the sins of their pasts, the separation from their communities the worst form of punishment by the Church. They keep to a strict daily schedule devoid of all temptation and spontaneity, each moment a deliberate effort to atone for their wrongdoings.

Three friends are part of a fascist opposition group in the chaotic Chile of the early 70's and together commit a political crime that changes the history of the country and incidentally involves them in a betrayal that separates them forever.

'Having broken away from my illusory self, I was desperately seeking a path and a meaning to life.' This phrase perfectly sums up Alejandro Jodorowsky’s biographical project: reconstituting the incredible adventure of his life. He was born in 1929 Tocopilla, a coastal town on edge of the Chilean desert, where he discovered the fundamentals of reality, as he underwent an unhappy and alienated childhood as part of an uprooted family.

After long decades of exile, a leftist former activist returns to Chile to settle accounts with his conscience, related to the death of a colleague and political hero . The task of Atalibar is to reveal his secret. But his view clashes with the current country, godless, far from the old ideologies and where all his old colleagues have changed.

Among gunshots and boleros, a passionate relationship flourishes between a lonely transvestite and a young guerrilla during the Pinochet dictatorship.

Twelve-year-old Tamara lives within a cult that is ruled by the beliefs of its leader Miguel, who becomes obsessively convinced that Tamara is the "chosen one". But when she falls in love with a classmate, Tamara's relationship gets in the way of Miguel's objective, and he will seek her absolute obedience.

In Chile, 1973, during the last days of Salvador Allende's presidency, an employee at a Morgue's recording office falls for a burlesque dancer who mysteriously disappears.

Blanca, an 18-year-old foster home resident, is the key witness in a scandal involving kids, politicians and rich men taking part in sex parties. Yet, the more questions are asked, the less clear it becomes what Blanca’s role in the scandal exactly is.

A young woman who suffers a strange disease must travel to a mysterious island in South America, where myths and reality are one and the same.

In Guita Schyfter’s El águila y el gusano, an intricate plot serves to intersect the destinies of several characters: the owner of a beauty salon in love with “all things Chinese”, a politician with a taste for oration who couldn’t care less about the problems of his country, a political adviser whose counsel is never considered and a shady investigator with a name that nobody seems to recall. The script by Schyfter and Hugo Hiriart, her longtime collaborator and author of the 2013 novel on which the film is based, bristles with finely-crafted, hilarious dialogue.

Survivors witness the terror and devastation brought by a massive earthquake and tsunami that hit Chile in 2010.

Vera, a ten-year-old girl who loves astronomy, disappears without a trace while walking with Claudio, her teacher, near the cliff of Punta Crena, in Liguria. Two years later she returns, but instead of being a teenager, she is a woman of about twenty-five years old. She doesn’t remember anything. When images resurface in her memory, Vera realizes that she has lived the life of a man, clinically dead, who woke up at the same moment in which she vanished in nothing.

Isidora immerses itself, in the manner of a journey through time and space, in the life of Chilean playwright Isidora Aguirre (1919-2011) and in the main ones of her 30 plays, which are recreated on screen by outstanding actors. Mixing family archives, life diaries and interviews she gave at the age of 91, the film becomes the creative biography of the author of La Pergola de las Flores, her most famous work, and opens the door to the social and political issues she narrated in her theater, the utopias that could not be and the conflicts that are still ongoing in Latin America.

Ivan keeps a 15-year-old Natalia hostage since she was a little girl. The repressive regime seems not to refrain them from forming a sort of family bond. They begin struggling with each other when the girl's sexuality awakens. Ivan desires her love and companionship.

María Luisa Bombal is an underground writer in the early twenties trying to reconcile her passionate and very sexual lifestyle with her life as a socialite among Santiago's very conservative elite.

A young city man joins the construction of a lighthouse in the deep south of Chile. Among rude workers, the only woman in the place will be his best company on this cold and lonely piece of land.