Alan Garvey

An essay on the existential actuality of the human being located in the Argentinean here and now. A history of singularities, which are mostly traversed by violence and marginality.

No synopsis available yet.

In Exomologesis, the filmmaker and poet César González set out to show the consequences of a society governed by obedience and the consequences of this in times of neoliberalism. Unlike his previous films, in color and with many scenes shot outdoors, this is a black and white film that takes place in a two-room apartment, which allows us to see that an office can also be a closed institution.

Popular neighborhoods that are open-air prisons. Where beauty flirts with violence. The kingdom of the insubordinate children, veterans of the lead. A garden of amputated flowers, which with crutches on their backs, still grow and dance.

A humble worker, several young thieves at dawn of violence, the dream of a better present that collides with the most cruel discrimination, a car that moves forward collecting the waste of the postmodern city.

No synopsis available yet.

Alan Garvey was born in the humble Carlos Gardel neighborhood, where he grew up knowing and understanding a daily life mired in marginality, with its codes, its blind alleys and forced social injustice. Since he was ten years old, he has painted, acted and made music, almost as an alternative to living with a particular reality. Today, at twenty, he has a debut album and directs his first short with Caótico, in which he crudely and intelligently captures his private world, illustrated in gestures of gang camaraderie, intense nocturnal trips and a flow huge.