Francesca Archibugi

Young terrorist Laura shoots both a judge and a comrade, and over time her violent act becomes a thread linking the lives and fates of several other women. Each has her own secret, including the lawyer who listens to Laura as if in a ‘trance’: moments before, she discovered her husband was cheating.

With her father on trial, 15-year-old Mignon leaves Paris to stay with her Italian relatives. The rather prim, snooty teen at first struggles to fit in with the more earthy Forbicioni family, each with their own problems. Eventually she bonds with her lovestruck little cousin Giorgio—who'll learn important life lessons over the course of his summer with Mignon.

Opera Prima is a tribute and a journey through the evolution that cinema has had in Italy. Tayu Vlietstra, a pupil of Bertolucci, carries out an investigation on the first work of six of the most authoritative and beloved Italian directors. The result is an unpublished and precious document that reveals the emotions and expectations of directors grappling with their cinematic debut. Mario Monicelli, Bernardo Bertolucci, Lina Wertmüller, Marco Bellocchio, Liliana Cavani and Francesca Archibugi offer a still current evolution on the needs and difficulties of making cinema in our country.

A portrait of the mythical Italian actor Marcello Mastroianni (1924-96), a unique performer who was one of the kings of European cinema.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.

A portrait of Laura Betti with archival footage and stories of friends: Bernardo Bertolucci remembers Laura in "Novecento" and in a lost sequence of "Last Tango in Paris", Giacomo Marramao and Walter Siti dwell on the relationship with Pier Paolo Pasolini, Francesca Archibugi remembers a precious friend, Michelle Kokosowski and Jack Lang talk about the successful and mutual love for France, Piero Tosi and Paolo Poli remember her youth, Jacqueline Risset her private life, Valentino Parlato her civic passion, Renato Nicolini recaps her difficult relationship with institutions, Filippo Crivelli remembers the singer. Views that seek to reconstruct the figure of an exceptional artist, unusual and contradictory.

Who is the mysterious stranger Cecilia met on the street? Why is he suspicious of everyone? She is happily married, has a lovely child and a good job: yet she decides to join him and to become his lover, sharing his destiny right up to its tragic conclusion.

Documentary about Italian screenwriting legends Agenore 'Age' Incrocci and Furio Scarpelli.

Registe, talking on a blade is an Italian documentary about the Italian Cinema signed by women and about the pioneer of the Silent Cinema Elvira Notari (1875-1946) plays by Maria De Medeiros. The directors interviewed are the most important Italian women directors: Lina Wertmüller, Cecilia Mangini, Francesca Archibugi, Francesca Comencini, Wilma Labate, Cinzia Th Torrini, Roberta Torre, Antonietta De Lillo, Giada Colagrande, Donatella Maiorca, Ilaria Borrelli and others.

No synopsis available yet.

A Count marries a woman with illness that makes her suffer attacks of vampirism. The Count took flight in the wildest horror, and ran, without any idea where he was going or what he was doing, impelled by the deadliest terror, all about the walks in the park, till he found himself at the door of his own Castle as the day was breaking, bathed in cold perspiration. Involuntarily, without the capability of taking hold of a thought, he dashed up the steps, and went bursting through the passages and into his own bedroom.

No synopsis available yet.

Perugia. The police are carrying away the body of a young woman when they hear a sigh: Rosa Lazar is still alive. The assistant district attorney Cristina Camponeschi and psychologist Stefano Mangiaboschi investigate, but Rosa seems unaware of the attack she has endured and hides the truth. For Cristina, the girl is the key to an international crime ring; for Stefano, the start of an inner journey that will lead him to reveal the true enigma of Rosa Lazar.

Perugia. The police are carrying away the body of a young woman when they hear a sigh: Rosa Lazar is still alive. The assistant district attorney Cristina Camponeschi and psychologist Stefano Mangiaboschi investigate, but Rosa seems unaware of the attack she has endured and hides the truth. For Cristina, the girl is the key to an international crime ring; for Stefano, the start of an inner journey that will lead him to reveal the true enigma of Rosa Lazar.

A runaway couple go on an unforgettable journey from Boston to Key West, recapturing their passion for life and their love for each other on a road trip that provides revelation and surprise right up to the very end.

Everyone in Marco's life seems constantly restless, from his brilliant but unhappily married parents to his own wife Marina, or even Luisa, the real love of his life, a girl he met during a fateful summer in the '70s and always stayed in touch with. Tragedy and fate seem to haunt him, yet he somehow manages never to get ensnared in the chaos—like his namesake, “the hummingbird”, he focuses all his energy at standing still.

Everyone in Marco's life seems constantly restless, from his brilliant but unhappily married parents to his own wife Marina, or even Luisa, the real love of his life, a girl he met during a fateful summer in the '70s and always stayed in touch with. Tragedy and fate seem to haunt him, yet he somehow manages never to get ensnared in the chaos—like his namesake, “the hummingbird”, he focuses all his energy at standing still.

Two mental patients with opposite personalities ditch their Tuscan hospital and embark on an unpredictable exploration of the real world.

In the Tuscan countryside at the end of the 19th century, Pietro, the shy son of a tyrannical landowner, falls in love with Ghisola, a peasant girl with no family. His father has her sent away. Years later, the two meet again: still in love with her, Pietro would like to marry her, but she has become the mistress of a married man.

In the Tuscan countryside at the end of the 19th century, Pietro, the shy son of a tyrannical landowner, falls in love with Ghisola, a peasant girl with no family. His father has her sent away. Years later, the two meet again: still in love with her, Pietro would like to marry her, but she has become the mistress of a married man.

An epileptic 12-year-old girl, Pippi, is hospitalized in the psychiatric ward instead of the neurological ward, due to an administration error. Out of this mistake begins the difficult journey towards being cured.

An epileptic 12-year-old girl, Pippi, is hospitalized in the psychiatric ward instead of the neurological ward, due to an administration error. Out of this mistake begins the difficult journey towards being cured.

Rome, 1990. The night Italy's national football team is eliminated from the World Cup by Argentina on penalty kicks, a well-known film producer is found dead in the Tiber river. The main suspects for the murder are three young aspiring screenwriters, who–promptly taken to the police–start to tell their version of the story.

In Rome it hasn’t rained for three years and the lack of water is overturning rules and habits. Through the city dying of thirst and prohibitions moves a chorus of people, young and old, marginalised and successful, victims and profiteers. Their lives are linked in a single design, while each seeks his or her deliverance.

With her father on trial, 15-year-old Mignon leaves Paris to stay with her Italian relatives. The rather prim, snooty teen at first struggles to fit in with the more earthy Forbicioni family, each with their own problems. Eventually she bonds with her lovestruck little cousin Giorgio—who'll learn important life lessons over the course of his summer with Mignon.

With her father on trial, 15-year-old Mignon leaves Paris to stay with her Italian relatives. The rather prim, snooty teen at first struggles to fit in with the more earthy Forbicioni family, each with their own problems. Eventually she bonds with her lovestruck little cousin Giorgio—who'll learn important life lessons over the course of his summer with Mignon.

“I approached Pierluigi Cappello when he became my bedside table companion. We didn’t know each other, but were already intimate. His poems are full of images, I might even have dreamt some. I didn’t know anything about his personal life, about the motorcycle accident when he was sixteen, and that he spent the rest of his life in a wheelchair. There’s no trace of it in the poems: in his verses Pierluigi runs, and sometimes he flies.”

“I approached Pierluigi Cappello when he became my bedside table companion. We didn’t know each other, but were already intimate. His poems are full of images, I might even have dreamt some. I didn’t know anything about his personal life, about the motorcycle accident when he was sixteen, and that he spent the rest of his life in a wheelchair. There’s no trace of it in the poems: in his verses Pierluigi runs, and sometimes he flies.”

Garage owner Angelo and big-time film producer Alberto find themselves occupying neighbouring beds in a Rome hospital after suffering heart attacks. Alberto is a gregarious joker - and chain smoker - who has a strong effect on the impressionable Angelo. However, as one of the men's condition deteriorates, the other becomes more deeply involved in his personal life.

Garage owner Angelo and big-time film producer Alberto find themselves occupying neighbouring beds in a Rome hospital after suffering heart attacks. Alberto is a gregarious joker - and chain smoker - who has a strong effect on the impressionable Angelo. However, as one of the men's condition deteriorates, the other becomes more deeply involved in his personal life.

Vittorio, an American novelist teaching in Rome, meets the beautiful but damaged Bianca and they rapidly fall into an urgent, tempestuous affair. He's hesitant over their relationship since she seems to thrive on conflict and is constantly baiting him into physical altercation. Bianca gives Vittorio an exquisite leather belt as a gift; he knows immediately that she wants him to whip her with it. Driven by his craving for her, Vittorio complies to Bianca's desire. Their relationship escalates into a dark realm of S&M which becomes more and more self-destructive.

Paolo is an outgoing and handsome real estate broker married to Simona, a beautiful woman from the rough outskirts of Rome who has become an author of spicy bestsellers and is pregnant with their child. Betta, Paolo’s sister and her husband Sandro organise a dinner party with Paolo, Simona and their childhood friend, the eccentric musician Claudio. During the lively gathering Paolo reveals what he would like to name his son, causing reactions to steam up and a torrent of revelations to follow reaching climactic proportions.

Paolo is an outgoing and handsome real estate broker married to Simona, a beautiful woman from the rough outskirts of Rome who has become an author of spicy bestsellers and is pregnant with their child. Betta, Paolo’s sister and her husband Sandro organise a dinner party with Paolo, Simona and their childhood friend, the eccentric musician Claudio. During the lively gathering Paolo reveals what he would like to name his son, causing reactions to steam up and a torrent of revelations to follow reaching climactic proportions.

This ensemble drama details the friendships that grow between survivors of the 1997 Umbria earthquake. The townsfolk—adults, children and foreigners alike—deal with various issues as they try to resume normal lives in a homeless situation.

This ensemble drama details the friendships that grow between survivors of the 1997 Umbria earthquake. The townsfolk—adults, children and foreigners alike—deal with various issues as they try to resume normal lives in a homeless situation.

Italy, 1977. Professor Bruschi is a retired widower who lives according to a strict routine he set for himself. An ardent old-style communist, he has always been at odds with the unconventional lifestyle led by his son and his hippieish girlfriend Stella. When their four-year-old daughter is left in his care out of the blue after the two break up, the old professor becomes a sort of father figure to the girl, growing fond of her. However he's once again challenged when Stella also arrives for a stay in his elegant villa, reclaiming custody of her daughter.