Franca Valeri

A man from Milan, Carmelo, is forced to take his young son Malcolm, on a trip down South so his mother, who usually takes care for the boy, can go on vacation with her Moroccan boyfriend. Carmelo, who obviously is not too often at home, has no clue about how to deal with young children, even the most basic chores a father should know to tend the restless imp thrown in his care. The crowded train traveling from Milan to Reggio, Calabria, is packed in the second class section where Carmelo and Malcom have a hard time getting a seat. When they finally do, young Malcolm decides to disappear from his compartment. He goes to the first class car, where eventually Carmelo decides to sit and pay the extra supplement. He is lucky to find more space, and the companionship of Beatrice, a woman that is bringing the skeleton of a rare animal. Carmelo finds a way to interest the lady. Their ride is certainly bumpy, complicated when he decides to leave the mischievous Malcolm at an intermediate stop.

Alberto Nardi is a Roman businessman who fancies himself a man of great capabilities, but whose factory teeters perennially on the brink of catastrophe. Alberto is married to a rich and successful businesswoman from Milan, Elvira Almiraghi who has a no-nonsense attitude and barely tolerates the attempts of her husband to keep his factory afloat with her money.

Three couples are involved in a murder at Montecarlo.

Two Sicilian's, Peppe Truzzoliti and Antonio Mancuso, decide, after a misadventure with some mafia drug dealers, to leave the cold and racist Turin to return to their native land. Along for the ride with them is Domenica, a beautiful girl from Veneto, who had arrived in Turin in search of work, but due to a number of setbacks, had been forced into prostitution.

In Italy, Checco Dal Monte manages a troupe of traveling performers with plenty of heart but minimal talent. At a small town engagement, he encounters the starry-eyed, gorgeous Lily Antonelli, and hires her as a dancer on the show. Vivacious Lily quickly sells out crowds and earns the resentment of Checco's mistress, Melina Amour, but the fledgling performer has far bigger ambitions and soon sets her sights on a higher-profile role.

Villa Borghese, Rome's biggest urban park, is the place where everyday laughs and dramas are consumed. The movie is made of six vignettes set there.

Two jerks are enlisted in the Italian army during W.W.1 and by pure luck manage to help win an important battle.

A husband is persuaded to move his new bride into an old palace that is supposedly haunted. But the so called ghost is really the bride's former lover, who is stalking her on the premises.

It is the story of the brilliant football player Cotechiño, hired by the Napoli team as a centre-forward. Too bad that his professional career will be strongly influenced by the frequent absence of his fiancée, for which he feels an inexplicable, almost obsessive jealousy. That's why he hires a plumber very similar to him to keep an eye on his beloved, but that won't be enough when Cotechiño is kidnapped.

Alberto Menichetti lives with an aunt and an old housekeeper, Clotilde; he has a job in a firm and his boss is Mrs. De Ritis, a widow whose husband was killed during a wild boar hunt. She likes him but Alberto likes Marcella; she is under age and he is awaiting her birthday to declare his love. His greater traits are to be fearful of everything and to be selfish. This nature will get him into trouble..

A documentary about Vittorio de Sica with clips of his films and testimonials from friends and family.

An anthology of brief comic sketches based on manias, mainly sexual, featuring several figures of Italian society.

Agnese has many men who woo her and live with her cousin Cesira, who has the opposite problem with men and wishes she would also have men woo her.

A pimp named Horny Hector operates a brothel on property coveted by Cardinal Giove. The Cardinal comes up with a plan to force Hector into selling him the land by kidnapping Helen, triggering a small gang war.

A woman feeds her husband with scraps and gives the best food to her lover, whom she hides in the attic. The husband abandons her and goes and lives with a young girl who drags him into a sadomasochistic relationship.

No synopsis available yet.

A guy is about to become the millionth citizen to buy a car in Rome. Frightened, he decides to remain pedestrian, and recalls several stories, with new car owners as protagonists. Episodic comedy.

Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta.

No synopsis available yet.

A Texas girl wins a trip to Italy where she meets a prince who's afraid to admit that he's flat broke (so is she). They strike up an affair, but things come to a crazy conclusion when he tries to bribe a horse to win a race at the Palio racing grounds.

Enrichetta, a young peasant girl who lives in a little village, joins Silver Boy as a dancer.

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the queer community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.

No synopsis available yet.

A poker player on a losing streak meets a beautiful young woman. He's attracted to her, but she appears to be perfectly content with her boyfriend, a somewhat wussy writer. The gambler gets the idea that if he can get this woman into bed, it will change his luck at the gambling tables.

Agnese has many men who woo her and live with her cousin Cesira, who has the opposite problem with men and wishes she would also have men woo her.

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the queer community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.

When his father dies, young lad travels to Milan to attend the funeral and decides to follow in his father's footsteps as a gigolo. He is successful at finding rich women to prey on, but finds himself caught up in a bidding war.

No synopsis available yet.