Małgorzata Paruzel

Three old friends living in distant cities decide to help each other get rid of people who stand in their way to achieve happiness.

The final stage of the great artist's life, a stage in which Witkacy decides to destroy himself. A growing sense of danger, the futility of all actions, and fear of what is to come accompany him constantly during his escape from Warsaw to the East at the outbreak of World War II. Everyday facts and events are intertwined in the film with reminiscences and images from his life, supported by the artist's inner monologue. The style of narration and the way of filming make the film a poignant study of the writer's inner disintegration. By emphasizing the painterly quality of the image and introducing dreamlike themes, Kluba captures on screen the characteristics of both Witkacy's playwriting and painting.

A movie director finds himself in a mid-life crisis

Thais, an Egyptian courtesan, is converted to a life of a penitant by Paphnutius, a holy man. She is taken to a convent in the desert and lives her life in the care of the abbess there. But Paphnutius is changed by the vision of Thais and becomes obsessed with gaining her love and retrieving her from the spiritual world for himself.

A messenger of King Padella arrives at the castle of King Valoroz XXIV of Paflagonia. He announces the arrival of Prince Bulba, who wants to ask for the hand of Princess Angelica. Lulejko, Valoroz's nephew and rightful ruler, lies in a fever. He is cared for by his maid Rózia, who secretly has a crush on the prince. But he is already engaged to Angelika, so he does not understand Bulba's efforts to win her hand. When Angelika throws away the ring she received from Luleika, it turns out that she owed the gem her beauty. Meanwhile, the ugly Gburia-Furia finds the ring.

Excerpt from a discussion between a man and a woman at a sawmill. An adaptation of a short story by Yuri Kazakov.