Ryszard Czubak

A black political comedy, which, as a backdrop, uses the election race and the accompanying chaos in the media. The film's protagonist is a presidential candidate in the 2000 elections in Poland who suddenly withdraws from the election campaign despite his best ratings. During the election battle, he portrays himself as a professional liar and decides to give away everything he has previously won. What he doesn't expect, however, is how difficult a problem giving can be.

Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...

On the way to Warsaw after a crude oil fraud in southern Poland, conman Adam Deren meets singer Liza. He decides to invest his money in a venture deemed to be a failure - a small cabaret where Liza could perform.

Polish businessman Jarek Branicki organizes a beauty pageant. As the man in charge, he expects his girlfriend to win it and suggests this outcome to the judges. At the same time, however, he is on the verge of bankruptcy and tries to escape the country after being cornered by his creditors. Recognized by a passenger on the train, he flees and finds refuge in the underground passages of Warsaw’s central railway station.

Warsaw elites meet at a ball in Baron Neman's palace, where they discuss the political situation in Poland.

A small-time racketeer Stefek evades mob bosses by passing himself off as a mentally unstable cleptomaniac and laying low in an asylum. The racketeer and his closest devotee escape from the asylum and find work at the opera. Stefek becomes stage-doorman and soon discovers that the opera doubles as a brothel.

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