Pablo Ramos

In 1952, Ernesto Guevara, then a medical student aged 23, and his friend Alberto Granado, a biologist of 29, began a long journey through the South American continent. During their tour, which began with an old motorcycle to continue after hitchhiking, they witnessed the harsh living conditions of the population of the countries they travelled. Guevara, soon to be known as Che, recorded his impressions in a diary. In 2002, the Brazilian director Walter Salles began shooting a film about that odyssey, "The Motorcycle Diaries". This documentary follows the making of that movie in detail, incorporating interviews with various participants.

Whisky Romeo Zulu tells the story prior to the crash of LAPA Boeing 737 that on August 31, 1999, caught fire after hitting an embankment in the center of Buenos Aires, killing 67 people. The disaster changed the history of civil and commercial aviation in Argentina, and the film recounts, from the standpoint of the director, a former airline pilot-how in some countries the safety of the flight is incredibly precarious.

Tells the hectic life of four residents of the same building in a neighborhood of Buenos Aires.

The film brings together the winners of the first edition of the Argentine National Film Board's (INCAA) annual public script competition, the grand prize of which is the budget to produce a short film. Eventually screened in national theaters, the omnibus film gave rise and recognition to a new generation of Argentine filmmakers known collectively as the New Argentine Cinema—a wave of contemporary filmmaking that began in the mid-1990s in reaction to decades of political and economic crises in the country.

The film brings together the winners of the first edition of the Argentine National Film Board's (INCAA) annual public script competition, the grand prize of which is the budget to produce a short film. Eventually screened in national theaters, the omnibus film gave rise and recognition to a new generation of Argentine filmmakers known collectively as the New Argentine Cinema—a wave of contemporary filmmaking that began in the mid-1990s in reaction to decades of political and economic crises in the country.

An old man seems to direct the lives of the people who pass by on the street, under his balcony.

An old man seems to direct the lives of the people who pass by on the street, under his balcony.

Crowds is a feature documentary that records popular events of Uruguay where thousands of people gather spontaneously, called by faith, passion, celebration and memory. What happens when we set aside our individuality to act collectively? This documentary observes the passions that draw thousands of people close in order to join in a choral character. It discovers the crowd while it transgresses and experiences catharsis, while it seeks miracles and hopes; in continuous movement it splits and rejoins... until they dissipate and individuals re-emerge in their own solitude.