Paulo Ess

Deusimar is the owner of Inferninho, a dark and run-down bar that is a refuge for dreams and fantasies. Her dream is to leave everything behind and go away to any distant land, as far as possible from that place. Falling in love with Jarbas, the handsome sailor that arrives at the bar, dreaming of finding home, will completely change her life and the lives of the bar employees: Luizianne, the singer; Rabbit, the waiter; and Caixa-Preta, the cleaning lady.

Fifty-something Rosa, lying in an MRI scanner, is prompted to summon a happy memory. She plunges into a meandering, subconscious road trip with her indomitable mother, both queer, where wild imagination becomes a tender, unruly form of therapy.

Ceará, 1889. Father Cícero Romão Batista ministers to the faithful in the parish of Juazeiro do Norte. Among them is Maria de Araújo, a simple and religious woman who, on receiving communion from the hands of father Cícero, transforms it into blood.

Following Alexander Taylor, a teacher in the slums of Kibuna, this is a reflection about the modern times, mixing social criticism and cinematic experimentation to reflect about the overconsumption of images, fake news and social media.