Jacques Kébadian

Directing

Jacques Kébadian

Born 1940-04-20 · Valence, Drome, France

Jacques Kébadian is a French filmmaker of Armenian descent. He began his career assisting director Robert Bresson on Mouchette (1967). Kébadian has directed several documentaries and feature films, often focusing on social and political themes. His works include Nous avons bu la même eau (1995) and Retour en Arménie (2007), exploring Armenian identity and history. Kébadian is also known for his involvement in film education and workshops.

Acting credits

Behind the camera

No artwork available
NR

No synopsis available yet.

Buvards

1979

No artwork available
NR

No synopsis available yet.

Paradjanov Libéré

1982

Trotsky poster
5.0

Story of the life of an extraordinary man, who with Lenin, was the symbol of the Revolution of 1917.

Trotsky

1967

No Return Possible poster
6.0

"No Return Possible": these three words cross the identity papers of the Armenians who left Turkey after the massacres of 1915.

No Return Possible

2026

Les Révoltés poster
5.0

In May 1968, workers, students and young people rise up against the morality and power of the establishment. Faculties and factories are under occupation. Barricades are erected. Paving slabs are launched. Words give way to actions. This is the confrontation. These images bear witness to the men and women who, in their indignancy, march towards their revolution. 50 years ago, as part of our ARC collective, we filmed the uprising of May and June 1968. Out of this material and scenes borrowed from our other filmmaker friends, we created this film.

Les Révoltés

2019

Les Révoltés poster
5.0

In May 1968, workers, students and young people rise up against the morality and power of the establishment. Faculties and factories are under occupation. Barricades are erected. Paving slabs are launched. Words give way to actions. This is the confrontation. These images bear witness to the men and women who, in their indignancy, march towards their revolution. 50 years ago, as part of our ARC collective, we filmed the uprising of May and June 1968. Out of this material and scenes borrowed from our other filmmaker friends, we created this film.

Les Révoltés

2019

No artwork available
NR

No synopsis available yet.

Que sont mes camarades devenus

1983

No artwork available
NR

No synopsis available yet.

Germaine Tillion : la république des cousins

1974

No artwork available
NR

No synopsis available yet.

20 ans après

2003

No artwork available
NR

No synopsis available yet.

Blanche et claire

1987

No artwork available
NR

No synopsis available yet.

Mémoire Arménienne

1993

Pierre Guyotat, le don de soi poster
NR

Pierre Guyotat at home, between 2002 and 2009: scenes from a writer’s life. First he organises his library : each book is an occasion for comments, reminiscences, questionnings. Then he is seen at work, preparing an edition of his Notebooks with his assistant, based on manuscripts from the 1960s. He is finally seen in his room, sitting in bed, discoursing on french kings and working out a text out loud, in a hypnotic self-dictation. Because Pierre Guyotat offers himself unrestrainedly to Jacques Kébadian’s attentive filming, this most precious of films gives us a rare glimpse into a writer’s intimacy: into his labour and passion. (Cyril Neyrat)

Pierre Guyotat, le don de soi

2022

No artwork available
NR

The first film broadcast around May 1968, conceived in the first half of May, "Ce n'est qu'un début" (This is only the beginning) places the first "night of the barricades" in the context of the "wildcat" strikes in Caen and Redon and the student protests in Nanterre.

Ce n'est qu'un début

1968

No artwork available
NR

No synopsis available yet.

Apsaras

1989

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NR

Spontaneous expression in '68. The beautiful month of May when students were remaking the world and attempting to engage in dialogue with workers.

Le Droit à la parole

1968

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NR

No synopsis available yet.

Histoire d’amour : Colombe et Avedis

1981

D'une brousse à l'autre poster
8.0

In March 1996 the French government decided to expel all African family who did not have papers from the city of Paris. During a six month period of time, the director followed many of the families and got there testimonials about how it felt to be discriminated against by the French on film. Eventually the documentary focuses on one man who emerges at the center of the fight to not to be sent back to Africa. In the end he is sent back to his native Mali, the director and his camera accompany him.

D'une brousse à l'autre

1998

No artwork available
NR

No synopsis available yet.

Le mystère des pyramides

1992

No artwork available
NR

From the sculpture of Jean-Robert Ipoustéguy.

Cérémonie pour une victoire

1966

No artwork available
NR

No synopsis available yet.

Germaine Tillion et Geneviève de Gaulle Anthonioz

2002

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A white soldier brings a creature to life. The creature, bound with its arms spread out like a cross, becomes the victim of unbearable torment.

L' Œuf noir du soldat blanc

1973

Albertine ou Les Souvenirs parfumés de Marie-Rose poster
5.0

France, 1972. Albertine, a teenager in rebellion against school, the rancid family and religion, asserts her rights to a sexuality without obstacles. Wiith her friends, and the right to the abortion for the minor ones. With her friends, she campaigns for the rights to sexual pleasure and abortion for minor girls.

Albertine ou Les Souvenirs parfumés de Marie-Rose

1972

No artwork available
NR

No synopsis available yet.

Ipoustéguy, l'âge de la décision

2000

No artwork available
NR

No synopsis available yet.

Portrait de Michel Chion

1975