Karl Forchhammer

Christiania is one of the world's most iconic social experiments. After 50 years of big dreams, strong tobacco and anarchy, this colourful neighbourhood finally got the film its colourful history deserves.

“Ravens” is an intimate journey in the life of a modern feminist who has never stopped being a hopeless romantic. It is a reflection on the nature of love, sex, relationships, and gender roles.

No synopsis available yet.

They have partied through their 20s. Now, Tamara, Ponek and Sierzput have to figure out what to do with their lives. Tamara is a feminist, but also a hopeless romantic. Sierzput has just won his girlfriend back, but is struggling to hold on to her. And out of sheer boredom, Ponek has broken her own rule number one and has started sleeping with her friends. Three lives, intertwined in a fog of cigarette smoke and canned beer during a long summer in concrete-grey Warsaw, where the desire to party to the early hours is never far away. The Danish director Karl Forchhammer’s film is an entertaining and existential tale with raw edges.

Christiania is one of the world's most iconic social experiments. After 50 years of big dreams, strong tobacco and anarchy, this colourful neighbourhood finally got the film its colourful history deserves.

“Ravens” is an intimate journey in the life of a modern feminist who has never stopped being a hopeless romantic. It is a reflection on the nature of love, sex, relationships, and gender roles.

They have partied through their 20s. Now, Tamara, Ponek and Sierzput have to figure out what to do with their lives. Tamara is a feminist, but also a hopeless romantic. Sierzput has just won his girlfriend back, but is struggling to hold on to her. And out of sheer boredom, Ponek has broken her own rule number one and has started sleeping with her friends. Three lives, intertwined in a fog of cigarette smoke and canned beer during a long summer in concrete-grey Warsaw, where the desire to party to the early hours is never far away. The Danish director Karl Forchhammer’s film is an entertaining and existential tale with raw edges.