Bohumíra Peychlová

It all starts when two men arrive at the asylum. Mr. Houdek, who goes to see little Honzik Slavata, the illegitimate child of his colleague, whom he wants to adopt, and young Standa Hurych, who takes up a position as a driver. The pretty nurse Magda mistakes Standa for his father and is angered by his reaction. However, when Mrs. Houdková insists that the adoption will not take place until the child's true father is known, Standa offers to help Magda track down the father. He immediately sets about the difficult task.

Who wouldn't want to return to the limelight? Years ago, actress Slávka Hradilová was a movie star. Today, she is approaching 60 and the most she does is appear in commercials. But she still keeps in shape. She regularly meets with friends to help them solve their problems, enjoys her teenage granddaughter, but above all she longs to get a big role in front of the movie camera again. When one day she gets an offer with a script in hand, she beams and heads to the studios where she was once almost a queen. But it turns out that times have changed, and today's directors want something different from actors than routine gestures and flashy facial expressions. So the former star is in for a profound disappointment...

It all starts when two men arrive at the asylum. Mr. Houdek, who goes to see little Honzik Slavata, the illegitimate child of his colleague, whom he wants to adopt, and young Standa Hurych, who takes up a position as a driver. The pretty nurse Magda mistakes Standa for his father and is angered by his reaction. However, when Mrs. Houdková insists that the adoption will not take place until the child's true father is known, Standa offers to help Magda track down the father. He immediately sets about the difficult task.

Who wouldn't want to return to the limelight? Years ago, actress Slávka Hradilová was a movie star. Today, she is approaching 60 and the most she does is appear in commercials. But she still keeps in shape. She regularly meets with friends to help them solve their problems, enjoys her teenage granddaughter, but above all she longs to get a big role in front of the movie camera again. When one day she gets an offer with a script in hand, she beams and heads to the studios where she was once almost a queen. But it turns out that times have changed, and today's directors want something different from actors than routine gestures and flashy facial expressions. So the former star is in for a profound disappointment...