François-Xavier Phan

The fourth and final part of a cycle of horror and barbarism. The ultimate progression of an inexorable march of evil before the restoration of peace. It's not just about the magnetic and fascinating character: it's more the painting of a bruised and devastated society, conducive to the hatching of a monster in question.

French Guyana, not so long ago. Eliott, a young and naive anthropology researcher, goes on an expedition to study the Otopis, a mysterious tribe from the Amazon rainforest. It is also an opportunity for him to get away from the grip of his possessive mother, Chantal de Bellabre, an ethnologist hated by the profession for her biased and cold-hearted practices. Arriving in the forest Elliot realizes the Otopis are not the “good savages” he had imagined. Alcoholic, violent, crooked: they will turn his expedition into real hell in the jungle. Fortunately, Chantal, consumed by remorse and worried about her son, decides to abandon her own expedition and goes looking for him in the jungle, with the help of the not so helpful Lieutenant-Commander Raspailles and his men.

Just when he is about to move in with his girlfriend, Michel is overcome with anxiety. To avoid commitment, he'll convince himself he's homosexual.

In early 1960s, Loan and her Vietnamese-born French husband Pierre relocates to Auvergne as part of a resettlement programme for French nationals from the now-fallen Indochina. Loan believes the situation is temporary, and day by day awaits the return to her homeland.

An afternoon in a city. Playing basketball, a group of boys wonder about the relationship between men and women, about virility and seduction. In a building nearby, five girls will meet and wonder about the world and the relationship of tomorrow.

Julie, 23, tries to borrow money from her brother in order to pay back her dealer, who has been threatening her. A simple story told from three points of view.