
Acting
Marian Wiśniowski
Born 1929-12-14
Acting credits
7.4A young academy soldier, Maciek Chelmicki, is ordered to shoot the secretary of the KW PPR. A coincidence causes him to kill someone else. Meeting face to face with his victim, he gets a shock. He faces the necessity of repeating the assassination. He meets Krystyna, a girl working as a barmaid in the restaurant of the "Monopol" hotel. His affection for her makes him even more aware of the senselessness of killing at the end of the war. Loyalty to the oath he took, and thus the obligation to obey the order, tips the scales.
Ashes and Diamonds
1958
7.8During the Napoleonic wars, a Spanish officer and an opposing officer find a book written by the former's grandfather.
The Saragossa Manuscript
1966
6.4Set in the 19th century Warsaw. The indolence of aristocrats who, secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to "the doll's" impecunious but influential father, the girl becomes aware of his affection.
The Doll
1968
4.0A married couple is unsuccessfully trying to have a child. The woman decides to bring her husband closer to another woman.
Possession
1973
5.8The inability of a truck driver to relate to normal life after an accident for which he feels himself responsible.
Gold Dreams
1962
5.8Set in the beginning of World War II, when the Polish cavalry still fought with lances against German troops, the movie is about a white thoroughbred horse that passed through various hands in a military outfit.
Lotna
1959
8.0Tadeusz documents his work as a driver by writing short stories to papers.
Hour After Hour
1974
6.7A day before the beginning of the Second World War, a young resident of Bydgoszcz falls in love with a German teenager.
The Neighbours
1969
6.5Police captain Wójcik conducts an investigation into the murder of a cashier from a state-owned enterprise. Despite seemingly numerous leads, the investigation gets stuck in a dead end – the victim had no enemies and nothing was stolen. Despite closing the case Wójcik feels that the key to solving the mystery is the murdered cashier and his past. Exploring this plot, he discovers a full-fledged spy affair, however, trying to catch the real murderer, he’ll have to risk his life, health and career.
Only the Dead Can Answer
1969