Kô Kajino

A boy, abandoned by the whole family - torn apart by obsessions, perversions and problems of every kind-start looking at everything around him through the eye of the camera, so that nothing can seem flat and keep up hope. The meeting between these two lonely souls will bring unexpected consequences.

A mother, daughter, and their fiancé are enjoying a vacation at a villa near the ocean when suddenly a trio of people - a middle-aged man, a woman, and a young man - break in. Three outsiders and three ordinary people feel what it means to "live" through abnormal behavior. All of them are antisocial.

A professional voyeuristic filmmaker is hired to acquire footage of prostitutes; during the process, his camera lands on a woman with a troubled past.

Kasumi Yuka heads the cast of this silly softcore film from Hisayasu Sato, the usually far more sober cult filmmaker known for grim depictions of alienation and sadism. Yuka plays a cranky harridan who uses her vibrator to administer questionably effective punishment to people who annoy her.

This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.

A middle-aged man walks up to young man who is sitting under a tree and shoots him. The film then flashes back to 1981, where a young woman steals a car with a baby strapped inside. She decides to raise the child as her own, and teaches him to shoplift from stores while she works as a prostitute. She strikes up a relationship with a convenience-store clerk, and the two eventually settle down together.

A member of the Air Self-Defense Force learns of a crucial national secret: that conscription will be introduced to Japan. Pursued by the state, the man and his wife attempt to flee to her parents' home, but along the way they meet a carefree young man who loves movies. Meanwhile, back in his rural hometown, his father-in-law is in critical condition, but his sister-in-law neglects to care for him and instead engages in phone sex with him.

In a gritty coastal town, scandal and perverse desire ignite a relentless spiral of illicit encounters. The tale centers on Tamayo Mochizuki, a married woman whose secret trysts with her lover Yoshiyuki unfold in a secluded, rocky cove—while a group of lecherous onlookers spy with voyeuristic glee, tossing crude, provocative remarks. As passion intensifies, the rendezvous devolves into a chaotic melee of lust, sex and betrayal; what begins as daring escapades quickly darkens into brutal power plays where forbidden desire and violence blur. Amid raucous seaside parties and seething rivalries, erotic debauchery unravels in a night marked by twisted seduction, intense sexual acts, shocking coercion, and the irrevocable shattering of lives by uncontrolled, corrupt passion.

A harsh youth film reminiscent of "The Last Picture Show." The last scene is the best. masterpiece.

Pink film distributed by Xces.

The heroine gives herself to a man in order to get money for overseas trips and luxuries, and the story depicts the human drama that surrounds her throughout the day.

The wife's older sister, a former high school teacher, moves in with a couple who are living an ordinary life. Eventually, the sister's lover, who was supposed to be dead, appears... Loosely based on "A Streetcar Named Desire."

It's a tribute to The Doors, but it's not just a tribute to them, it's also a criticism of rock stars who die too easily.

This gender-swapped take on the horrific murder case of Junko Furuta shows how Jun Furuta's father tracks down the juveniles who murdered his son to find out why his son had to die and to exact his revenge.

This gender-swapped take on the horrific murder case of Junko Furuta shows how Jun Furuta's father tracks down the juveniles who murdered his son to find out why his son had to die and to exact his revenge.

As Morimi Shizuka leisurely sips a hot drink at the front door, a masked office worker on his way to work coughs visibly as he passes by. Shizuka, a practicing doctor, lives with her father Shigeru (Iijima), a research doctor working at a university hospital, and her younger sister Mai, but there is no word on the whereabouts of the sisters' mother. Shigeru has been feeling unwell since the night before, and as she takes a morning bath, Mai blares out loud music with no thought for her father, leaving Shizuka speechless. Mai unilaterally tells her sister that she is bringing her boyfriend home that day, and although Shizuka is concerned about Shigeru, she goes to work. Morimi Clinic is run by Shizuka and nurse Hase Shu (Salmon). However, Shizuka does not at all betray the impression of being laid-back, and in fact, her mood accelerates.