Simon Reynell

Since 1983, Bow Gamelan Ensemble have inspired generations of artists with their radical practices and explosive performances. Charged with their individual virtuosity in performance art, avant-garde music and kinetic sculpture, their sound installations and performances are immersed in an orchestra of instruments made from scrap metal, electric motors, river barges and domestic objects including glass sheets, light bulbs and fireworks.

Max Eastley uses various musical instruments to create mysterious and hypnotic music, exploring their most basic sound characteristics, as well as incorporating the poetry of Jorge Luis Borges.

Since 1983, Bow Gamelan Ensemble have inspired generations of artists with their radical practices and explosive performances. Charged with their individual virtuosity in performance art, avant-garde music and kinetic sculpture, their sound installations and performances are immersed in an orchestra of instruments made from scrap metal, electric motors, river barges and domestic objects including glass sheets, light bulbs and fireworks.

Since 1983, Bow Gamelan Ensemble have inspired generations of artists with their radical practices and explosive performances. Charged with their individual virtuosity in performance art, avant-garde music and kinetic sculpture, their sound installations and performances are immersed in an orchestra of instruments made from scrap metal, electric motors, river barges and domestic objects including glass sheets, light bulbs and fireworks.

Max Eastley uses various musical instruments to create mysterious and hypnotic music, exploring their most basic sound characteristics, as well as incorporating the poetry of Jorge Luis Borges.

Max Eastley uses various musical instruments to create mysterious and hypnotic music, exploring their most basic sound characteristics, as well as incorporating the poetry of Jorge Luis Borges.