Tatiana Monge

Cuba, summer of 1994. In the midst of período especial, one of the greatest crises in the country’s history, thousands of Cuban rafters try to reach the United States illegally, never sure if they’ll make it out alive. With holidays starting, Carlos plunges into a carefree August, wandering around with his friends and falling in love for the first time. Little does he know about the country’s uncertain future, and in this hot summer, the world of Carlos will turn upside down.

Juan is dead. Surprisingly, he is given an opportunity: to relive a moment of his past life, but it will not be an ordinary moment.

On the stage of a destroyed theater, we saw a play in which Elizabeth, Mercedes and Crisalida, three black women at different stages of life, relive everything they suffered from the interpretation of their own conflicts in the form of inner monologues.

In the dense night, when the moon lifts the tide, beings trapped in the daily life of water scarcity, they are hypnotized by the powers of Yemaya, the goddess of the sea.

No synopsis available yet.

Juan is dead. Surprisingly, he is given an opportunity: to relive a moment of his past life, but it will not be an ordinary moment.

On the stage of a destroyed theater, we saw a play in which Elizabeth, Mercedes and Crisalida, three black women at different stages of life, relive everything they suffered from the interpretation of their own conflicts in the form of inner monologues.

On the stage of a destroyed theater, we saw a play in which Elizabeth, Mercedes and Crisalida, three black women at different stages of life, relive everything they suffered from the interpretation of their own conflicts in the form of inner monologues.

In the dense night, when the moon lifts the tide, beings trapped in the daily life of water scarcity, they are hypnotized by the powers of Yemaya, the goddess of the sea.

No synopsis available yet.