
Directing
Sam Smith
Place of birth
Sydney, Australia
Known for
Directing
Credits
9 titles
Sam Smith (b. Sydney, Australia) is a filmmaker working within experimental documentary form and artist moving image. He is the founder of Hide Film, a production studio specialising in artist film and cinema, based in Bradford on Avon, South West England. By querying the manipulations inherent in moving image capture and production, his work brings documentary and archival content in contact with speculative narratives. Smith is also the Co-Director of Obsidian Coast with Nella Aarne, an entity for exhibitions, artist/filmmaker residencies and events with a commitment to artist moving image and environmentally sustainable and feminist practice. Smith's films, video installations and live d…
Known for
NRAn experimental documentary shot on the Swedish island of Gotland. It mines historical data, mingling it with speculative fictions, to chronicle different chapters embedded to the island's geological strata. Working with locals to ground the film's investigations within the myriad communities of Gotland, Smith seeks to re-imagine our modes of engagement with and contributions to ecological assemblages. Scanning the landscape characterised by palaeo-sea-stacks, fossil coastlines, concrete production plants and limestone quarries, the film focuses a lens on minerals circulated in economic, cultural and agricultural contexts.
Lithic Choreographies
2019
Mimicking the hyperbolic rhetoric of today’s copyright cops, Hollywood Burn pits a righteous league of video pirates against the evil tyrant Moses and his Copyright Commandments. Determined to alter the present by changing the past, the pirates travel back to 1955 to construct the ultimate weapon: an Elvis Presley video-clone. Part sci-fi + rom com + biblical epic + action movie, this free-culture manifesto adopts the tactical responses of the parasite, feeding off the body of Hollywood and inhabiting its cinematic structures and codes. The unwitting all-star cast includes Elvis Presley, Charlton Heston, Monkey, Batman, Bette Davis, Jaws, Jesus, The Hulk, The Hoff and the Ghostbusters.
Hollywood Burn
2006
NRFilmed on the volcanic island of Gotland, Sweden, the work unites myth, body and landscape when a raincoated dancer is stunned by an encounter with a floating, living, rotating rock.
Lithic Coda
2020
E.1027 is a performance based on the complex history and imagined future of Irish architect and designer Eileen Gray’s eponymous villa. A history of conflict, etched within the building’s material structure, plays out in episodes of companionship, obsession, murder and destruction. The work actively seeks to diminish the importance of Le Corbusier within this narrative, whose obsessive relationship with Gray’s villa is encaptured in his vandalistic murals that were painted directly onto the walls of the house.
E.1027
2016
NRThe Year is 3001 and the ancient art of remix is being oppressed by the evil tyrant Moses and his Copyright Commandments. Meanwhile, in a secret base-camp on the moon a team of Pixel Pirates plot to overthrow Moses via their latest scientific discovery - video cloning. Their plan: travel back to 1955, abduct Elvis and bring him back to the future. They then clone Elvis and send the Video Clone back to 2015 to assassinate Moses, altering the course of VHS history. But first the Elvis Clone must face-off against the Copyright Cops and every action hero that MGM can throw his way.
Pixel Pirate II: Attack of the Astro Elvis Video Clone
2006
NRAfter a demon arrives at her workplace, a tired retail worker expects to find help within the Department of Paranormal Activity, only to be thrown into a bureaucratic maze instead.
The Graveyard Shift
2025
Behind the camera
NRAn experimental documentary shot on the Swedish island of Gotland. It mines historical data, mingling it with speculative fictions, to chronicle different chapters embedded to the island's geological strata. Working with locals to ground the film's investigations within the myriad communities of Gotland, Smith seeks to re-imagine our modes of engagement with and contributions to ecological assemblages. Scanning the landscape characterised by palaeo-sea-stacks, fossil coastlines, concrete production plants and limestone quarries, the film focuses a lens on minerals circulated in economic, cultural and agricultural contexts.
Lithic Choreographies
2019
NRAn experimental documentary shot on the Swedish island of Gotland. It mines historical data, mingling it with speculative fictions, to chronicle different chapters embedded to the island's geological strata. Working with locals to ground the film's investigations within the myriad communities of Gotland, Smith seeks to re-imagine our modes of engagement with and contributions to ecological assemblages. Scanning the landscape characterised by palaeo-sea-stacks, fossil coastlines, concrete production plants and limestone quarries, the film focuses a lens on minerals circulated in economic, cultural and agricultural contexts.
Lithic Choreographies
2019
NRAn experimental documentary shot on the Swedish island of Gotland. It mines historical data, mingling it with speculative fictions, to chronicle different chapters embedded to the island's geological strata. Working with locals to ground the film's investigations within the myriad communities of Gotland, Smith seeks to re-imagine our modes of engagement with and contributions to ecological assemblages. Scanning the landscape characterised by palaeo-sea-stacks, fossil coastlines, concrete production plants and limestone quarries, the film focuses a lens on minerals circulated in economic, cultural and agricultural contexts.
Lithic Choreographies
2019
Mimicking the hyperbolic rhetoric of today’s copyright cops, Hollywood Burn pits a righteous league of video pirates against the evil tyrant Moses and his Copyright Commandments. Determined to alter the present by changing the past, the pirates travel back to 1955 to construct the ultimate weapon: an Elvis Presley video-clone. Part sci-fi + rom com + biblical epic + action movie, this free-culture manifesto adopts the tactical responses of the parasite, feeding off the body of Hollywood and inhabiting its cinematic structures and codes. The unwitting all-star cast includes Elvis Presley, Charlton Heston, Monkey, Batman, Bette Davis, Jaws, Jesus, The Hulk, The Hoff and the Ghostbusters.
Hollywood Burn
2006
NRFilmed on the volcanic island of Gotland, Sweden, the work unites myth, body and landscape when a raincoated dancer is stunned by an encounter with a floating, living, rotating rock.
Lithic Coda
2020
E.1027 is a performance based on the complex history and imagined future of Irish architect and designer Eileen Gray’s eponymous villa. A history of conflict, etched within the building’s material structure, plays out in episodes of companionship, obsession, murder and destruction. The work actively seeks to diminish the importance of Le Corbusier within this narrative, whose obsessive relationship with Gray’s villa is encaptured in his vandalistic murals that were painted directly onto the walls of the house.
E.1027
2016
NRThe Year is 3001 and the ancient art of remix is being oppressed by the evil tyrant Moses and his Copyright Commandments. Meanwhile, in a secret base-camp on the moon a team of Pixel Pirates plot to overthrow Moses via their latest scientific discovery - video cloning. Their plan: travel back to 1955, abduct Elvis and bring him back to the future. They then clone Elvis and send the Video Clone back to 2015 to assassinate Moses, altering the course of VHS history. But first the Elvis Clone must face-off against the Copyright Cops and every action hero that MGM can throw his way.
Pixel Pirate II: Attack of the Astro Elvis Video Clone
2006
NRAfter a demon arrives at her workplace, a tired retail worker expects to find help within the Department of Paranormal Activity, only to be thrown into a bureaucratic maze instead.
The Graveyard Shift
2025
NRGlass occupies a position between fluidity and stasis – an amorphous element, integral in the production of moving images and architectural vistas, that actively distorts and transforms light. Filmed in a glass blowing factory, the interiors of Le Corbusier’s 1923 Villa Le Lac, and the surrounds of southwest Switzerland, The Horizontal Window intercuts two contrasting aspect ratios that parallel the primary apertures of Villa Le Lac: an 11-meter ribbon window facing Lake Geneva and a smaller, squarer unglazed frame cut into the exterior garden wall.
The Horizontal Window
2016
