Charlie Hannah

When Áila encounters a young Indigenous woman, barefoot and crying in the rain on the side of a busy street, she soon discovers that this young woman, Rosie, has just escaped a violent assault at the hands of her boyfriend. Áila decides to bring Rosie home with her and over the course of the evening, the two navigate the aftermath of this traumatic event.

After finding a potentially harmful insect cannery worker Robin follows protocol to protect her community of peach growing farmers, but finds herself battling sexism and a hostile corporation that is dead set on making sure the machine never stops.

Nine artists across the continent document their sensory experiences of lockdown, and the results broke our editing program. What emerges is an absurdist collage that playfully flips the format of a video conference on its head. Filmmakers Alicia Eisen and Sophie Jarvis pose the question: is the human need to make sense of chaos an inherently chaotic pursuit?