Victoria Chaya Miranda

Wine, a party, two friends who find each other in a way they didn't think possible.

Six professionals in the audiovisual field share their experiences through a visual and sound sensory journey

Comodos, by hand of Muriel and Alejo, proposes a consonant sound and visual approach, showing that disagreement is the ultimate lesson in impermanence.

The stories of Zara, Verónica and Mora intersect and intertwine through memories, places, and people in common. Love is not always the livelihood of a couple, even when all are built in their name.

The year 2023 marks the 35th anniversary of the association La Mujer y el Cine, and 43 female directors have come together to deliver a fragment of their gaze, a frame, an aesthetic and ethical decision, a tribute to women who anticipated the struggle. A leap into the void made by women filmmakers of different ages and backgrounds. United, in a sort of electronic loom, as an offering and a legacy in which a moment in the history of Argentine cinema is told, where we were all one, with our eyes on the past, our gaze on the present and the horizon full of the future.

A political thriller about child trafficking. Danger arises in Abril’s life (Diana Lamas), an apathetic and absent-minded accountant, after her cherished uncle Ángel (Mario Pasik) and her best friend from adolescence Guille (Carlos Portaluppi) turn up on New Year’s Eve. Both these presences turn out to be closely related to a judicial investigation into the dark secrets of Abril’s family, leading her up to the realization that her personal experience is deeply intertwined with politics. The struggle between justice and power will show that child trafficking is an omnipotent international business packed with accomplices.

Wine, a party, two friends who find each other in a way they didn't think possible.

Wine, a party, two friends who find each other in a way they didn't think possible.

Wine, a party, two friends who find each other in a way they didn't think possible.

Comodos, by hand of Muriel and Alejo, proposes a consonant sound and visual approach, showing that disagreement is the ultimate lesson in impermanence.

The stories of Zara, Verónica and Mora intersect and intertwine through memories, places, and people in common. Love is not always the livelihood of a couple, even when all are built in their name.

The year 2023 marks the 35th anniversary of the association La Mujer y el Cine, and 43 female directors have come together to deliver a fragment of their gaze, a frame, an aesthetic and ethical decision, a tribute to women who anticipated the struggle. A leap into the void made by women filmmakers of different ages and backgrounds. United, in a sort of electronic loom, as an offering and a legacy in which a moment in the history of Argentine cinema is told, where we were all one, with our eyes on the past, our gaze on the present and the horizon full of the future.

A political thriller about child trafficking. Danger arises in Abril’s life (Diana Lamas), an apathetic and absent-minded accountant, after her cherished uncle Ángel (Mario Pasik) and her best friend from adolescence Guille (Carlos Portaluppi) turn up on New Year’s Eve. Both these presences turn out to be closely related to a judicial investigation into the dark secrets of Abril’s family, leading her up to the realization that her personal experience is deeply intertwined with politics. The struggle between justice and power will show that child trafficking is an omnipotent international business packed with accomplices.

A political thriller about child trafficking. Danger arises in Abril’s life (Diana Lamas), an apathetic and absent-minded accountant, after her cherished uncle Ángel (Mario Pasik) and her best friend from adolescence Guille (Carlos Portaluppi) turn up on New Year’s Eve. Both these presences turn out to be closely related to a judicial investigation into the dark secrets of Abril’s family, leading her up to the realization that her personal experience is deeply intertwined with politics. The struggle between justice and power will show that child trafficking is an omnipotent international business packed with accomplices.

A political thriller about child trafficking. Danger arises in Abril’s life (Diana Lamas), an apathetic and absent-minded accountant, after her cherished uncle Ángel (Mario Pasik) and her best friend from adolescence Guille (Carlos Portaluppi) turn up on New Year’s Eve. Both these presences turn out to be closely related to a judicial investigation into the dark secrets of Abril’s family, leading her up to the realization that her personal experience is deeply intertwined with politics. The struggle between justice and power will show that child trafficking is an omnipotent international business packed with accomplices.

Lola tries not to drop her talent, threatened by the passage of time and the irreversible events that devastated her happiness. Ana, will try to survive a violent relationship with Victor that will bring her closer to the world of prostitution. Lucio hand in hand with cocaine addiction, will destroy its precarious humanity.

Lola tries not to drop her talent, threatened by the passage of time and the irreversible events that devastated her happiness. Ana, will try to survive a violent relationship with Victor that will bring her closer to the world of prostitution. Lucio hand in hand with cocaine addiction, will destroy its precarious humanity.