Elias Åkerman

Worried asylum seekers, angry activists, and obedient case workers in an equally wonderful as sharp stop-motion film about people who are all caught in the bureaucratic claws of the migration agency.

Tova is alone, until she finds herself in a young woman named Agnes through some old home videos. When the videos doesn't end the way Tova anticipated, she tries to fix it by digitally rearranging the events from Agnes' life.