Pati Marr

The Goodies finally return to television after nearly 25 years with a compilation of classic clips, interviews and new material.

Ford Kiernan and Greg Hemphill are back and reviving their much loved characters Jack Jarvis and Victor McDade for the first time in years! They've not been seen on the small screen since a Hogmanay special in January 2008, but this year sees a full reunion of the original television cast as Jack and Victor are reunited alongside other Still Game favourites Winston, Isa, Tam, Navid, and Bobby.

One of the most beloved editions of the show, as Clive chats to a biscuit inventor who was abducted by aliens; Scunthorpe's football manager; a suspended high court judge and a rock legend - all of whom bear a resemblance to Peter Cook.

This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.

The Goodies finally return to television after nearly 25 years with a compilation of classic clips, interviews and new material.

Ford Kiernan and Greg Hemphill are back and reviving their much loved characters Jack Jarvis and Victor McDade for the first time in years! They've not been seen on the small screen since a Hogmanay special in January 2008, but this year sees a full reunion of the original television cast as Jack and Victor are reunited alongside other Still Game favourites Winston, Isa, Tam, Navid, and Bobby.

One of the most beloved editions of the show, as Clive chats to a biscuit inventor who was abducted by aliens; Scunthorpe's football manager; a suspended high court judge and a rock legend - all of whom bear a resemblance to Peter Cook.

This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.