Sergey Korenkov

1919, Solnechnomorsk. Talented adventurers have become too unexpected: now they are wanted by the Russian and Turkish police. They go to the south of Russia to take possession of the golden scepter of Count Rumyantsev. In pursuit of a precious little thing, terrorists, circus performers and even participating ladies can dress up as them. Meanwhile, Ostap’s mother is approaching the paws of the gloomy Satanist Crowley, in whose treasury, by a mysterious coincidence, there is also a scepter ...

The hunt for imperial gold continues. A priceless scepter, a treasure that could secure a worry-free life in sunny Rio de Janeiro for Ibrahim Bender and his young apprentice Ostap, has slipped from under their noses and ended up in possession of Nestor Makhno, an anarchist army commander. Makhno is convinced that the scepter is one of many imperial relics hidden in the area. With mafia, partisans, and officers of the Red and White armies all determined to get their hands on the fabled gold cache, Ostap and his mentor Ibrahim must surpass their own brilliance to outmaneuver their rivals and snatch the prize. And with Ostap’s beloved fair maiden losing her trust in him, he must do everything in his power to win her back and stop her from marrying another man.

Grigory, the son of an oligarch, is fully rehabilitated after his humbling experience as a 19th-century serf. Moreover, he develops a strong sense of moral justice. When he meets a pampered young socialite named Katya, he is abhorred by her insolent escapades. Grigory transports Katya “back in time” to teach her a valuable lesson about humility.

While Saint Petersburg is shocked by the series of mysterious suicides, Egor is about to move to Moscow to leave the past behind and start over. His plans change when he meets Karina who believes something supernatural is happening. Together they will try to reveal the secret of the reoccuring deaths. The secret that will lead them to the sinister Man in White.

Lugansk region, May 2014. The Novozhilov family, by chance, finds itself in the thick of events in Lugansk. Vlad Novozhilov is a former participant in the war in Afghanistan. He knows firsthand what war is. Having seen enough of the horrors of war in his time, in principle he does not even want to touch a weapon. In a situation, he sees only one way out - to leave the country. But you can't run away from the war, the border is already closed. To save his family, he will have to make difficult moral choices.

Twelve-year-old Anya discovers a mysterious stranger in her secret hideout after another quarrel with her mother. A stranger who has settled in an abandoned house next door reveals to the girl a fantastic world that was hidden in the routine of summer cottage life. However, not everyone is ready to understand her friendship with an adult man, who obviously has something to hide. Anya is also shocked and disappointed when it turns out that she is not the only one — the mysterious stranger also communicates with her friend Amaranta, also gives her gifts and tells stories. They are angry at him and at each other. The stranger is both their main secret and a bone of contention.

USSR, June 1985. After contact with the Salyut 7 space station is lost, cosmonauts Vladimir Dzhanibekov and Viktor Savinykh dock with the empty, frozen craft, and bring her back to life. Based on actual events.

It portrays the memories of Matilda Kshesinskaya and her love affair with the last Tsar of Russia, Nicholas II. Matilda, a Polish-born ballerina from the Mariinsky Theatre in St. Petersburg, had a brief and intense romance with Nicholas between 1892 and 1894, before Nicholas married Alexandra Feodorovna and was crowned Tsar after his father's death. It also explores their relationship, facing societal pressures and interference from Nicholas's mother, Empress Maria Feodorovna, as well as Matilda's involvement with other members of the imperial family, the Romanovs, such as Grand Duke Sergei Mikhailovich and Grand Duke Andrei Vladimirovich.

USSR, November, 1941. Based on the account by Vasiliy Koroteev this is the story of Panifilov's Twenty-Eight, a group of twenty-eight Red Army soldiers commanded by General Ivan Panfilov, that stopped the advance on Moscow of a column of fifty-four Nazi tanks of the 11th Panzer Division for several days. Though lightly armed they fight tirelessly and defiantly, with uncommon bravery and unwavering dedication, to protect Moscow and their Motherland.

The touching drama “The End of the Season” tells the life story of three sisters and is inspired by the same-name play by Anton Chekhov. Vibrant and compelling characters are performed by an all-star feminine cast: Yuliya Peresild, Yulia Snigir and Anna Chipovskaya.

Igor Grom, a skilled detective from St. Petersburg, happened to be at the scene of a bank robbery and decides to stop them.

Petersburg. A Selfie comprises seven novellas about the beautiful city of St. Petersburg, Russia, shot by female directors. The film tells a story of a real, living and breathing city, rather than a mythical phantasm. Each novella tells its own story about love and loneliness, luck and hope.

The shrill and tragic story about an event that involved Count Lev Nikolaevich Tolstoy. In an infantry regiment of the military based in the Tula region an offence occurs. In this regiment, the capital’s lieutenant Grigory Kolokoltsev — inspired by progressive ideas — does his service. A military tribunal and execution await the soldier charged with the offence. Kolokoltsev asks Count Tolstoy for help — and he decides to protect the innocent man. The pointed history about the complexity of choice and fidelity to one’s ideals is based on real events.

He considers himself a genius but the publishers refuse to print his works. He loves women but they don’t always understand him. Constantly without money and out of touch with reality. The elegant fop Daniil Yuvachov names himself Kharms- a name just as effective as his appearance. An habitué of unending literary get-togethers and a lover of scandal. Living in society he is completely separate from it. Kharms throws down a gauntlet to his time, audaciously hurling himself into the vortex of reality, just as vague and arbitrary, with the same contradictions, as represented by his spirit.

Family film about the adventures of a lost girl in Moscow. The world of the megalopolis is dangerous, but the five-year-old Natasha is so sincere and trusting about others that when meeting her, they change for the better. This is a story about a child and modern Moscow, told in the language of the current generation and continuing the traditions of good domestic cinema.

A true story, set in the future. About seeds and genetic diversity, about growth and decay, about love and war, about hunger of all kinds. About what it means to be human, even when all your humanity is stripped away.