Clemens Klopfenstein

No synopsis available yet.

No synopsis available yet.

In the film, Klopfenstein portrays a metaphorical renovation of the burned-down church of his past in and with cinema. As tools, he merely has his computer and files of his own films, as well as masses of faces long gone and places razed from memory. One drifts deliciously with Klopfenstein through a super-edit of his own oeuvre, removed from established modes of this type of filmmaking and instead functioning in an intimate and poignant expression, where fleeting gestures can unleash avalanches of unexpected memories.

A group of actors making their way to Rome ends up losing its way due to the fog, the darkness, the ice and their own feelings of guilt, suddenly getting completely lost in the hills.

Max and Chrige, a married couple of Swiss linguists, hike the Alps searching for rare words still uttered by the rural population. While on his way to a conference, the husband's plane disappears over the sea. Chrige is advised to give up hope of ever seeing him alive, but her heart tells her otherwise. Max comes ashore on a tropical island with another survivor, the plane's pilot. But where are they in reality?

A sequel to Klopfenstein's movie "E nachtlang Füürland" (1981).

No synopsis available yet.

No synopsis available yet.

In the film, Klopfenstein portrays a metaphorical renovation of the burned-down church of his past in and with cinema. As tools, he merely has his computer and files of his own films, as well as masses of faces long gone and places razed from memory. One drifts deliciously with Klopfenstein through a super-edit of his own oeuvre, removed from established modes of this type of filmmaking and instead functioning in an intimate and poignant expression, where fleeting gestures can unleash avalanches of unexpected memories.

In the film, Klopfenstein portrays a metaphorical renovation of the burned-down church of his past in and with cinema. As tools, he merely has his computer and files of his own films, as well as masses of faces long gone and places razed from memory. One drifts deliciously with Klopfenstein through a super-edit of his own oeuvre, removed from established modes of this type of filmmaking and instead functioning in an intimate and poignant expression, where fleeting gestures can unleash avalanches of unexpected memories.

In the film, Klopfenstein portrays a metaphorical renovation of the burned-down church of his past in and with cinema. As tools, he merely has his computer and files of his own films, as well as masses of faces long gone and places razed from memory. One drifts deliciously with Klopfenstein through a super-edit of his own oeuvre, removed from established modes of this type of filmmaking and instead functioning in an intimate and poignant expression, where fleeting gestures can unleash avalanches of unexpected memories.

A group of actors making their way to Rome ends up losing its way due to the fog, the darkness, the ice and their own feelings of guilt, suddenly getting completely lost in the hills.

A group of actors making their way to Rome ends up losing its way due to the fog, the darkness, the ice and their own feelings of guilt, suddenly getting completely lost in the hills.

Max and Chrige, a married couple of Swiss linguists, hike the Alps searching for rare words still uttered by the rural population. While on his way to a conference, the husband's plane disappears over the sea. Chrige is advised to give up hope of ever seeing him alive, but her heart tells her otherwise. Max comes ashore on a tropical island with another survivor, the plane's pilot. But where are they in reality?

Max and Chrige, a married couple of Swiss linguists, hike the Alps searching for rare words still uttered by the rural population. While on his way to a conference, the husband's plane disappears over the sea. Chrige is advised to give up hope of ever seeing him alive, but her heart tells her otherwise. Max comes ashore on a tropical island with another survivor, the plane's pilot. But where are they in reality?

A sequel to Klopfenstein's movie "E nachtlang Füürland" (1981).

In Bern, a confluence of events forces Max, a radio commentator, to face the personal sense of frustration he feels in politics, his job and his relationship. A veteran of the ’68 generation, he confronts the demise of that utopian dream, breaking the bonds of his dreary existence during one night.

In Bern, a confluence of events forces Max, a radio commentator, to face the personal sense of frustration he feels in politics, his job and his relationship. A veteran of the ’68 generation, he confronts the demise of that utopian dream, breaking the bonds of his dreary existence during one night.

Philosophical road movie with Max Rüdlinger and Polo Hofer. First they go hiking in the Swiss mountains, then Max is off to Italy where he meets two lovely ladies, one of which accompanies him to Egypt, where they meet Polo Hofer.

Dialogueless Clemens Klopfenstein short film, part of the City Life anthology but available separately. Also known as "Et In Arcadia Ego."

An experimental conclusion to Klopfensteins trilogy of walk-and-talk philosophical films, presented mostly in negative black-and-white pictures

An experimental conclusion to Klopfensteins trilogy of walk-and-talk philosophical films, presented mostly in negative black-and-white pictures

Heavily improvised fairy-tale voyage in Italy involving a bickering Swiss couple and a magic liqueur.

Heavily improvised fairy-tale voyage in Italy involving a bickering Swiss couple and a magic liqueur.

A daft road movie about two aging thesps in search of Klopfenstein himself.

A daft road movie about two aging thesps in search of Klopfenstein himself.

A kaleidoscopic panorama of the world. A visual anthology of twelve short stories by twelve innovative directors from all over the world.

A contemplation on night travelling in various weather conditions through seemingly endless landscapes in Europe, only briefly disrupted by shreds of conversation in a foreign language.

A contemplation on night travelling in various weather conditions through seemingly endless landscapes in Europe, only briefly disrupted by shreds of conversation in a foreign language.

While working on a new railway tunnel, a geologist stumbles upon a hidden valley that is not marked on any map. The inhabitants are Jews who fled here 50 years ago and initially treat the intruder with suspicion.

The return of juvenilia! Shots of Rome circa 1973 on splendid Ferraniacolor reversal stock, developed years later and then lost, that somehow survived the decades. Half a century and some digital editing later, this footage is a piece of cinehypnotica that is at once visionary and soothing.

No synopsis available yet.

Images of Berlin, the Silesian Gate – last underground station before the wall, the suburb of Asakusa, Tokyo, and of Hong Kong, from the tram in Kowloon are mixed together with studies of the director’s room in Berlin, accompanied by westernized Chinese music.

Images of Berlin, the Silesian Gate – last underground station before the wall, the suburb of Asakusa, Tokyo, and of Hong Kong, from the tram in Kowloon are mixed together with studies of the director’s room in Berlin, accompanied by westernized Chinese music.

A black and white documentary which captures nighttime scenes in various European cities.

A black and white documentary which captures nighttime scenes in various European cities.