Selina Graf

Matthias is a master of pretense, from cultured boyfriend to perfect son or marital coach. He makes a career of being someone else. The real challenge begins when he has to be himself.

Alexander grows up in a small house with his loving grandmother. In order to avoid his father’s fate, on his tenth birthday, he promises her that he will never fall in love. Every Sunday, Alexander visits his father, who has retreated to live in the Vienna subway system since the death of Alexander’s mother. As a young adult, Alexander wants to be closer to his father and decides to take a job in a lost-and-found office in the underground. It is here that he meets the beautiful and vivacious Caro (Verena Altenberger) in her cute subway hatter store. Although Alexander has successfully resisted love before, now his self-imposed oath becomes a difficult promise to keep.

Jasmin and Lee have been lovers for three years. When they decide to go on a hiatus in Lee’s mother’s home on the Austrian countryside, they are accompanied by their friend and documentary filmmaker Amira, who wants to capture queer love for her graduation film.

A man who shot at people for no apparent reason, has been sentenced to prison. A young woman, a lab assistant, who is appointed as a juror in the case meets a sociologist who is working on a study of the penal system.

Karl meets Nini at a Berlin train station: it is love at first sight. But the few hours they spend together before she travels back to Vienna end in a mishap in which Karl loses her phone number. He decides to move to the Austrian capital to find his dream woman again.

A young woman, Laura Spindler, is picked up on a country road in the Weinviertel region. Public prosecutor Fida Emam learns that the now 18-year-old was kidnapped in Vienna two years earlier.

Elena Wolff submerges into the turbulent world of the young, up-and-coming art scene of Linz. In a series of episodes, Asche tells of three couples and an outsider, of alpha males and muses, of loneliness, and the urge for self-realization. In doing so, this pop satire of the art world exercises a high-volume criticism of both patriarchy and the cultural scene—including unexpected vendettas and bizarre encounters.