Mark Peranson

In a foreign city, an actress wanders through a seaside town, reflecting on her relationship with a married man. How important is love in one’s life? Younghee wants to find out.

The story of female friendship as Frenchwoman Claire helps the subject of her photograph, Min-Hee, discover why she was fired without apparent cause.

Three female friends recall their misadventures (more sexual than cinematical) attending the Locarno Film Festival.

A group of friends, sharing a passion for cinema, assemble in Corregidor, a small island in Manila Bay that has preserved relics from the Pacific War as its foremost attractions. There, they explore the island and retire in a rustic mansion used once to make silent films. Outside the city, the woods and sea become a meeting place for more movie personalities and it all becomes a celebration of what was left behind.

Four cinephiles in a hotel room in the middle of the night ruminate on La última película, Dennis Hopper, and the state of cinema.

The Three Wise Kings travel in search of the Messiah, with unexpected obstacles on the way.

A famous American filmmaker travels to the Yucatán to scout locations for his last movie. The Mayan Apocalypse intercedes.

A famous American filmmaker travels to the Yucatán to scout locations for his last movie. The Mayan Apocalypse intercedes.

A famous American filmmaker travels to the Yucatán to scout locations for his last movie. The Mayan Apocalypse intercedes.

Waiting for Sancho is an ontological investigation into a place where cinema becomes something more than cinema. Filmed in high-definition colour over five days in the Canary Islands of Fuerteventura and Tenerife, Waiting for Sancho is a kind of experimental “making of” the critically acclaimed El cant dels ocells (Birdsong_/_Le chant des oiseaux). A particular take on the Biblical story of The Three Kings en route to the baby Jesus, El cant dels ocells premiered at the Quinzaine des Realisateurs at Cannes 2008.

Waiting for Sancho is an ontological investigation into a place where cinema becomes something more than cinema. Filmed in high-definition colour over five days in the Canary Islands of Fuerteventura and Tenerife, Waiting for Sancho is a kind of experimental “making of” the critically acclaimed El cant dels ocells (Birdsong_/_Le chant des oiseaux). A particular take on the Biblical story of The Three Kings en route to the baby Jesus, El cant dels ocells premiered at the Quinzaine des Realisateurs at Cannes 2008.